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David Wheeler's production departs from Brook where it shouldn't and follows it where it must. This is inevitable, since the play really doesn't exist apart from its interpretation. Wheeler substitutes a broad cineramic "happening" stage for Brook's deep proscenium, paralyzing the underlings and thrusting the chorus...

Author: By Stuart A. Davis, | Title: Marat/Sade | 10/29/1966 | See Source »

HOUSING. Getting good housing is perhaps the most difficult hurdle of all for most Negroes. One tragedy is that urban renewal often means Negro removal-replacing shacks with vertical ghettos for middle-income Negroes and forcing lower-income Negroes to move to even meaner slums. Because the Negro urban population...

Author: /time Magazine | Title: Essay: WHAT THE NEGRO HAS-AND HAS NOT-GAINED | 10/28/1966 | See Source »

At the same time, America's popularization of psychology is doing much to destroy the mystique that used to surround the psychiatrist. So is humor, from the countless stand-up-comics' jokes ("A psychoanalyst is a Jewish doctor who hates the sight of blood"), to the literary satires...

Author: /time Magazine | Title: Essay: POP-PSYCH, or, Doc, I'm Fed Up with These Boring Figures | 10/7/1966 | See Source »

Will Steven Armstrong's basic set has a backdrop with Roman porticos painted on it, in front of which two monumental staircases slant in from the upstage corners. At the start there are two tall tapering silver fleches topped with Corinthian capitals, and a row of silver rods hanging behind...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: III | 7/12/1966 | See Source »

Ed Wittstein has designed sets based on four vertical beams that function as an elevator shaft for a rising and falling structure, with two other second-storey platforms that roll in from the sides. These make some of the entrances and exits needlessly awkward. Domingo Rodriguez' costumes are, some details...

Author: By Caldwell Titcomb, | Title: The Stratford Shakespeare Festival | 7/5/1966 | See Source »

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