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Word: vertigo (lookup in dictionary) (lookup stats)
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That sleep, that white room, that bottomless vertigo...

Author: NO WRITER ATTRIBUTED | Title: The Poems of Kim Chi Ha | 2/14/1977 | See Source »

...faces of those who didn't come back." There is still more. A rather unnerving audio-visual display of how modern air traffic controllers work. A film called To Fly-so realistic that some viewers get airsick. Said a former Navy pilot: "My God, I'm getting vertigo." A life-size model of the Soviet Soyuz space vehicle coupled to an Apollo capsule for a display of the 1975 joint space venture. Also, of course, a model of Sputnik, the satellite that helped to goose America into space...

Author: /time Magazine | Title: The Nation: Second Hottest Show in Town | 1/17/1977 | See Source »

...Rear Window. Probably the most difficult thing for me is to choose only one Hitchcock film. So many are fabulous, especially from the 50s (North by Northwest, Vertigo, and Strangers on a Train). But this little shown film with Jimmy Steward and Grace Kelley is my favorite. It combines all of Hitchcock's strengths: suspense, great plotting, complex direction, and an ability to force the audience to discover its dark and immoral sides by involving it with characters engaged in unsavory activities (here, voyeurism). Yet none of his other films go so far in lending a sinister touch to mundane...

Author: By Jono Zeitlin, | Title: FILM | 1/13/1977 | See Source »

...control of her structure is also consistently good; in rendering the incoherence of experience, she never lets herself lapse into unintelligibility under the assumption the reader wouldn't notice. The contrast between her narrative control and the defiant irrationality of the life she describes effectively heightens the sensation of vertigo that Speedboat is intended to inspire...

Author: By Anne Strassner, | Title: Patchwork absurdities | 11/15/1976 | See Source »

What can be said is that Brian de Palma has made an exquisite entertainment that sends one back to Hitchcock, the masterly Vertigo in particular, for comparison. Obsession is a triumph of style over substance. Vilmos Zsigmond's camera, constantly on the move with a sinuous grace, is romantic in a manner seldom seen now in the movies. The late Bernard Herrmann's score, like the many he did for Hitchcock and Welles, is an instrument of flight, lifting the viewer up and over such resistance as he may have to the movie's patent improbability...

Author: /time Magazine | Title: Cinema: Double Jeopardy | 8/16/1976 | See Source »

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