Word: vertov
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...part of the experience. “Spatially, you can torque the film in a muscular way—contract, expand, release—in a way that’s in tune with the psyche.” Dorsky says, referring to silent films. Unlike his influences Dziga Vertov and Bruce Conner, whose work veered into social and political commentary, Dorsky seems more concerned with the level to which the individual viewer participates in the film’s meaning. Dorsky says, “Hopefully, if it’s successful, subject matter, screen, and the audience aren?...
...cold midnight sun of the Barents Sea into a grim ballet of war. The show's co-curator, Ernst Volland, says the photographer's aesthetic instincts may have been formed by Russian avant-garde revolutionary art of the 1920s - the paintings of Rodchenko and films of Vertov and Eisenstein. "Remarkable," says Volland, "how even in the most harrowing circumstances, with death, suffering and danger all around him, he could still tend to the composition...
Visual and Environmental Studies 157r: "Classics of World Cinema: The First Half Century" will give you the chance to look at a host of great films you've probably never seen, by directors like Bunuel, Ozu, Mizoguchi, Vertov and Rossellini...
Harvard Film Archive--Double feature of Three Songs of Lenin directed by Dziga Vertov at 7 p.m. and The End of St. Petersburg directed by V. I. Pudovkin at 8:15 p.m. $5. Nanook of the North directed by Robert Flaherty...
...today's Soviet films likely to be superior to those of the first flush of revolution. Now that the specter of Stalinism has receded, another shadow haunts Soviet filmmakers, and it may be harder to escape. This is the legacy of Sergei Eisenstein, V.I. Pudovkin, Alexander Dovzhenko and Dziga Vertov, the giants of Soviet silent cinema. Their works (October, Mother, Earth, Man with a Movie Camera) remain at the core of every film curriculum; movies are still made in the visual language they helped invent...