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Even those who do not support the Hill seldom question Mrs. Klug's sincerity. In hopes of securing the blessing of Pope Paul VI she has sent the Vatican a transcript of her revelations, which have been coming in regularly for some five years now. So far there has been no word from the Vatican, but Bishop Leo T. Maher of San Diego has advised his flock not to support the Hill, citing the possible harm to the "unsuspecting faithful" from claims that could turn out to be erroneous or fraudulent. Fran, though, is not deterred by criticism...
Died. Angelo Cardinal Dell'Acqua, 68, Vicar General of Rome and former Vatican Under Secretary of State who was considered a leading candidate for the papacy in the event of Paul VI's retirement; of a heart attack; while leading a pilgrimage in Lourdes, France. The death of Dell'Acqua, one of the Pope's closest aides, was the second in the Sacred College of Cardinals within a month and the fourth this year, reducing its number...
...Volumes VI and VII, concerned with the issues peculiar to Harvard Square and the actual plan itself, will not be ready until September. But through conversations with Planning Department officials, the following proposals seem likely to emerge in some form...
Selective evidence is the device Fiedler uses to make his case, and some of it is weirdly selective. He brushes aside Cleopatra, Juliet, Desdemona and Cordelia, since they do not bolster the antiwoman argument, and dwells on the unflattering portrayal of Joan of Arc in Henry VI, Part I to establish Shakespeare's bias. It is more direct and more correct to recall that France was the hereditary enemy of England, and that precious few Frenchmen are depicted with anything but derision and distaste in Shakespeare. Apply the argument in reverse. Tennessee Williams has given us remarkable...
...evening, simply because one never hears Bartok performed so sympathetically. Dissonance, so much a matter of course in the composer's style, was treated as such, rather than as a means of jolting the listener. In these pieces (Improvisations, op. 20, and Six Dances in Bulgarian Rhythm, from Book VI of the Mikrokosmos), as always, the clarity of texture and poetry of phrasing characteristic of Mr. Berman's playing brought forth all aspects of the music in a deliberate, well-balanced interpretation; and so precise was the technical execution that even the most complex rhythms were never unclear...