Word: vibes
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Dates: during 2000-2009
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...should know that the British have not reverted to the Imperial system of measurement. There are a few aspects of this film that may justify a viewing, if you can overcome its big flaws. The setting feels authentically English: the accents, clothing, and haircuts create an immersive 1970s London vibe throughout. Furthermore, it’s always exciting to watch Statham, especially in his native London. Just don’t expect this to be vintage Guy Ritchie. The moral of the story? Mashing a bunch of cops, criminals, and suits together in London does not automatically make...
...visage is meant to look pensive, but instead he simply looks ridiculous. Despite the cover, the album starts off pleasantly enough with “Roll On Oblivion.” The song features Collett’s nasal voice accompanied by guitar, drums, and maracas. It has a vibe that recalls Jack Johnson and leaves the listener excited to hear more. It seems like a good start to a good thing, but the next song, “Sorry Lori,” sounds strikingly similar. In fact, the whole first half of the album is replete with tracks...
...promises that your cares will evaporate by dawn if you transfer them to the dolls as you sleep. The Milliken Creek Inn & Spa in Napa Valley, Calif., offers a package that includes the Good Night Sleep Kit by Deepak Chopra. And at the Hard Rock Hotel San Diego, the "vibe manager" will create a playlist of mellow music (ranging from Simon and Garfunkel to Morcheeba) as part of its turndown service...
...Gucci, Giannini worked her magic with the Flora print, an iconic design created as a scarf for Grace Kelly in 1966. As Ford was churning out the label's black-on-black nightclub vibe, Giannini splashed the happy flowers onto Gucci's bags. "There were so many people who said, 'Maybe it's too pretty for Gucci.' But to me, it was such an important design. So light in a way, but with a good energy," Giannini says. The Flora became one of the most successful products in Gucci history, a fact not lost on Gucci management or industry analysts...
...other TAPS numbers did not disappoint. Susan E. Maya ’08 choreographed a piece to “Crabbuckit” by K-Os that presented a fresh and compelling juxtaposition of the dancers’ refined steps and the funky, hip-hop vibe of K-Os’s sound. Caitlin D. Driscoll ’11, Jennifer N. Kurdyla ’11, Natalie J. Peters ’09, Jayne Wolfson ’08, and Maya herself admirably combined the music’s more laid-back elements with the choreography?...