Word: vibrato
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...complex drum pedals; Jones adds a sinuous independent bass line: and Plant insinuates a tone of bemused disconsolation into the song's eternal situation of calumniating fate. "Dazed and Confused" deals with incoherent man in the face of a latter-day Cressida. After a sufficiently stunned introduction of echoing vibrato notes, the organizing riff enters. Page amuses himself by playing his guitar with a violin bow and follows this with the most involved solo of the album. After this the song dutifully falls apart, the lover, eyeless in Gaza, presumably reduced to tatters. "How Many More Times" is unduplicable...
...GEES: ODESSA (2 LPs; Atco). There is a nostalgic quality to these inventive, richly melodious ballads, which are sung earnestly, sometimes with a trifle too much vibrato. Sounding occasionally like a wholesome choir of Beatles, this Anglo-Australian quintet is sufficiently international to handle soft rock, country and Western, and songs that sound like folk even if they are not. But while this is their best album, the Bee Gees are sometimes swallowed alive by the lush harmonies of the singing strings in the background...
...machine are amplifiers, mixers, filters anc voltage-controlled oscillators. Some ol these, connected to the keyboard, trigger various "raw" sounds, such as "sawtooth" waves and "white noise." Other parts then modify the raw sounds by controlling their attack, volume and rate of decay, and by adding such characteristics as vibrato or echo. Complicated combinations of sounds-like the counterpoint and chords of Carlos' Bach album-are achieved by taping each series of sounds as they are produced, then combining them on multiple tracks of the same tape...
...Western monisms into a congeries of mercanto-ecclesiastical hoaxes. This work could well be the last great Mass ever written. The Society's performance possessed a certain Antarctic charm completely devoid of devotional feeling, but was plunged into obliquy by mispronunciation in the Kyrie (Keer-eiyeh) and the sinusoidal vibrato of the soprano and alto soloists in the Gloria. The choir plodded through the long Credo with sacerdotal vindictiveness but decided to clear up its wooly tone for the exquisite Sanctus. It was on the whole a bloodless performance of an intensely religious work...
Giggling, he takes the uke from its old cardigan wrapper. Plink-a-plank-aplink. His thin, reedy tones soar into an unearthly falsetto, the vibrato voice quavering like a hummingbird's wings: "Come tiptoe through the tulips with me . . ." In the audience, as at San Francisco's Fillmore Auditorium last week, his listeners are rapt, incredulous, amused-everything but indifferent...