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Word: vibrato (lookup in dictionary) (lookup stats)
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Saxophonist Mule chose for his debut program the works of two contemporary French composers-Jacques Ibert's Concertino da Camera and Henri Tomasi's Ballade. What the audience heard was an open, evenly controlled sound that could sing with a clean vibrato or a finely trimmed staccato, swell robustly and solidly with no trace of the breathy "air sound." Under Mule's scurrying fingers, the saxophone sometimes took on the quick sheen of strings, or the water-clear inflections of the flute, or the warm quality of the bassoon. Gone were the wah-wahs and wobbles...

Author: /time Magazine | Title: Music: Serious Sax | 2/10/1958 | See Source »

...thrusting trustingly toward the audience, her head cocked confidently in song, Dinah gives emotional urgency to the tritest lyric; she seems still much the cheerleader she once was at Vanderbilt University (class of '38, sociology major), yet also in tune with life at 40. Last week her velveteen vibrato caressed the lyrics of Sentimental Journey and I'll Be Seeing You, and as she backed offscreen, her sign-off kiss floated out individually, so it seemed, to each of her 40 million or so viewers. A veteran of 444 quarter-hour shows and 14 full-hour revues...

Author: /time Magazine | Title: Television: Is There Anyone Finah? | 12/16/1957 | See Source »

...character of Harras (played with full vibrato by Actor Jürgens, a sort of John Wayne with Heidelberg trimmings) is a highly romantic one-rather like a combination of Siegfried and Graf Bobby*-and his fiery death is stirringly Wagnerian. But from U.S. moviegoers the hero will probably get no better than pity, and the picture itself, apart from the high praise it deserves as a piece of cinematic craftsmanship, will inevitably inspire a more negative emotion. As the hero himself expresses it: "I can't eat as much as I want to vomit...

Author: /time Magazine | Title: Cinema: The New Pictures, may 13, 1957 | 5/13/1957 | See Source »

...Baritone Leonard Warren. Her phrasing was always neat and true; in lyrical passages her voice floated with never an edge. In Verdi's showy old coloratura bits, e.g., Caro Nome, it glittered clear and bright as a glockenspiel in a football band. She was nervous at first-her vibrato was fast as a canary's, and she heaved her pretty bosom with each breath, which is not regarded good form-but she stopped the show several times, and the bravos rang out like pistol shots when she finished...

Author: /time Magazine | Title: Music: Met's New Coloratura | 11/19/1956 | See Source »

Haydon concluded the lecture by saying that "the peculiar expressive quality attributed to music is an essential meaningful element in it, which the layman has difficulty in expressing discursively." He added that "the slight movement of the tone, with the 'vibrato,' is felt as life; our concept of life depends on an awareness of movement . . . therefore music should become an extremely vital part of life...

Author: By Lois Narwitz, | Title: Haydon's Lecture Analyzes 'Intrinsic Music Experience' | 8/16/1956 | See Source »

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