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Word: vibrato (lookup in dictionary) (lookup stats)
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...shoulders raised into a pugnacious attitude, his jowls quivering earnestly with every accent. But his style was impeccable. Every bow movement, from delicate nudges at the tip to slashing down-bow accents, produced a flawless tone, fine-drawn and luminous, made mellow but not ripe by judicious use of vibrato. In a concert full of lovely little touches-his method of approaching such an essentially meaningless figure as a trill was a joy to the sense of propriety-Oistrakh even managed to breathe warmth and dignity into the withered carcasses of Tartini's "Devil's Trill" Sonata...

Author: /time Magazine | Title: Music: A Master | 11/28/1955 | See Source »

...found that most symphonic brasses seem to be ashamed to play a real vibrato in the American style." ("We're not even ashamed to rent out our clothing trunks," gibed one symphonic brass...

Author: /time Magazine | Title: Music: A Tree Grows in Pittsburgh | 10/31/1955 | See Source »

...this fall to works by Johann Scbastian Bach. In the second concert, Ruth Posselt was the featured soloist in three of the rarely performed Sonatas for violin with harpsichord and continue. I admired especially the rhythmic vitality and sharpness of articulation which she brought to these works. Her dramatic vibrato, however, seemed out of place in the stately declamation of the E major Adagio, while the following Allegro sounded overly stiff, and other occasional nuances of mood were only slightly indicated. Yet within her conception, the performance was minutely planned and impeccably executed...

Author: By Alexander Gelley, | Title: Bach Concerts in Sanders | 12/2/1954 | See Source »

...great part in molding the new style during his 25 year reign of the Philadelphia Orchestra and it is the inheritors of this style whom we heard yesterday in Sanders Theatre. Thus the remarkable stylistic features of the group's performance--the infinite modulations in dynamics, in the vibrato, and in the tonal intensity itself; the subtle and varied means of tongueing (comparable to bowing on a string instrument) and the avoidance of a "pecking" staccato; the richness and homogeneity of the blended tone not only of all five instruments but also of the many other combinations possible all these...

Author: By Alexander Gelley, | Title: Philadelphia Woodwind Quartet | 10/19/1953 | See Source »

...freshman who has never taken a lesson with a professional saxophonist, gave an excellent example of the serious saxophone style now prevalent in France. Mr. Powers learned this style by listening to records. In addition to a flawless technique, he displayed a rich tone, occasionally enhanced by a discreet vibrato...

Author: By Alex Gelly, | Title: Pierian Audition | 2/14/1953 | See Source »

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