Word: vibratoed
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Dates: during 1990-1999
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...instrument creates an interesting circumstance for most audiences: expectation defined by the instrument itself, rather than a repertoire of standard works or recordings of well known performers. In many ways, the marimba is a very limited instrument. The wood bars that generate the sound make subtle fluctuations of pitch (vibrato) impossible. The metal tubes under each bar--the resonators--provide only a few seconds worth of audible sustain. The use of four mallets, two to a hand, limits the simultaneous articulation of tones to tetrachord. The challenge then, in both performing and writing for this instrument, is making it sing...
...band made an abrupt transition in tempo and mood as Redman began a long cadenza to preface the ballad, "What's New?" Here his very slow, almost imperceptible vibrato and airy, floating tone were vividly apparent. He played several motifs in different octaves, never once hinting that he might be performing at the extreme registers of his instrument. After the drums made a discreet entrance, and the delicate melody had been presented, McBride picked up a bow and displayed a facet of his amazing versatility as he coaxed a lush, sustained solo from his instrument...
...voice is thin, nasal, with a feminine vibrato and an attack of naked innocence. The song is a noble-masochism ballad called I'll Never Stand in Your Way; the singer is Elvis Presley, right around his 19th birthday. This primitive demo tape is among the treasures in RCA's four-CD, 100-song set Elvis Presley Platinum: A Life in Music. The package, eloquently annotated by Colin Escott and with 77 newly released tracks, means to scrape away the crust of camp idolatry from Presley's image and recast him as a powerful vocalist...
...Janet Weiss, whose rhythmic sense is somewhat sharper and more confident. The title song is one of the best: the music bristles with self-assurance and vitality, even as the lyrics suggest confusion: "Dig me out/ dig me in/ outta this mess baby outta my head." Tucker's wailing vibrato will annoy some listeners (Brownstein's voice is a bit calmer), but it's an apt vehicle to convey the trio's anarchic passion. Several of the tunes are old-fashioned paeans to rock, including the stomping Words and Guitar. But for Sleater-Kinney, rock is more than keg-party...
Schuppert's voice initially seemed to have a shade too much vibrato and a touch of shrillness in the upper notes. Fortunately, as the show went on, she exhibited an excellent technique and impressive range which were put to especially effective use in Gilda's virtuosic solo...