Word: vic
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Dates: during 1950-1959
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Stephen Aaron's production of Hamlet two years ago proved (as if it needed proving) that it is possible, even pleasurable, to sit through four hours of solid Shakespeare. Yet the Old Vic Hamlet, which lasts a piffling three hours and twenty minutes, becomes for good stretches distinctly wearisome. Even the slow pace of Michael Benthall's direction is insufficient to account for the depth of its descent into tedium...
...well-spoken, and well-bred, Every word and action appears carfully premeditated and skillfully executed. When not a word of a play holds any surprises to many in the audience, its production may all too easily become a genteel ritual in propitiation of the gods of Culture. The Old Vic personnel do not fight against this tendency; they positively embrace it. Only at a few points is anything so unseemly as a spontaneous emotion allowed to mar the ceremonial calm. American productions of Shakespeare are likely to have abounding energy, but little technique or perfect taste. This Hamlet has exquisite...
...Another poet, William Shakespeare, was packing them in just as tightly. London's Old Vic, in its first New York appearance since 1956, performed to near capacity crowds every night (Hamlet, Twelfth Night, Henry V). The troupe expects to wind up its 25-week U.S. tour next month with total grosses of $1,200,000. And British Actor Sir John Gielgud, in a one-man tour de force (see THEATER), nearly filled the 1,300-seat 46th Street Theater nightly with recitations from Shakespeare's plays and sonnets, grossed $30,000 his first week...
Divorced. By Pier Angeli (real name: Anna Maria Pierangeli), 26, Italian-born cinemactress: Vic Damone (real name: Vito Farinola), 30, Brooklyn-born crooning cinemactor; after four years of marriage, one child; in Santa Monica, Calif...
...Vic can perhaps thank its stars not to boast any; this Twelfth Night, as directed by Michael Benthall, gets its fine effect from its ensemble effect. Actors who know how to speak Shakespeare, to do wonders with an intonation, know also how to join hands. Desmond Heeley, with his charming costumes and simple set resembling an old, delicately drawn tailpiece or design, knows how to achieve a background. There is for once in the theater the sense of letting something deathless prove its mettle and not of belaboring something lifeless to move its limbs...