Word: victimes
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Dates: during 1970-1979
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...inconsistency that plagues Lulu shows most clearly in the title character herself. One moment Lulu is the innocent, pursued child; the next she ruthlessly manipulates Dr. Schon into marrying her. She is the victim but also the executioner, and her heartlessness is equalled only by her astonishment at the havoc she wreaks. To her credit, Anne Clarke manages to wrest a characterization out of this maze of contradiction, and falters only when the script itself cannot sustain her. She is able to present Lulu sympathetically, with the right mixture of helplessness and hardness...
...women in four different states. At the Miami courthouse to record and broadcast his trial were the crews of three major networks and some 22 television stations. Last week, when the prosecutor showed the jury photographs of bite marks on the buttocks and breast of a victim's corpse, a TV "pool" camera man and a still photographer in the first row of the press section took it all in -though they refrained from closeups, and some stations edited out the more grusome shots...
...clutches his chest and falls to the floor, as if from a stroke. Bystanders do nothing as two men swoop down and begin to pick the victim's pockets. From the shadows, three subway cops lunge at the thieves, shouting "iNo se muevan!" (Spanish for "Don't move...
This is a tragic decline for a nation that emerged from the gas-rationing days of World War II with excellent mass transit. Ironically, the U.S. fell victim to postwar prosperity. As the economy began to boom, American life-styles changed dramatically. Instead of living in a city apartment and riding a trolley to work, people wanted a home in the suburbs and an auto or preferablly two. As a consequence, mass transit became caught in a vicious downward spiral: the more riders that were lost the worse the service became; in turn, bad service drove away additional riders...
...typical victim of the squeeze is Impresario Sarah Caldwell. Her Opera Company of Boston has led a homeless and precarious existence for its 22 years. The Boston Opera House was torn down the year after the company was born, and the troupe has been forced to perform in high school gyms and even to share the Orpheum theater with rock groups. When Caldwell managed to purchase the mortgage on the Savoy theater last fall, she found that her problems were only beginning. A once elegant vaudeville house, the Savoy had been divided into twin movie theaters by a concrete wall...