Word: victimization
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Dates: during 1960-1969
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MARGUERITE OSWALD, 57, the assassin's mother, lives in Fort Worth and wallows in woe and self-pity. She still insists shrilly that her son did not murder Kennedy alone, says: "I think Lee was a patsy. I think President Kennedy was a victim of people in the State Department." She complains that she has been taken by money-grabbing writers who gleaned information from her, then "didn't even send me $10." She asks, "Why shouldn't there be as much sympathy for me as the President's family? After all, my son was murdered...
...what happens when a catastrophe overwhelms the cartoonist's ability to poniard a convenient victim on pen point? In Osborn's case, the assassination of John F. Kennedy left him nearly unable to draw. After a while, the cartoonist wrote his dealer, Edith Halpert, "I began to lay down my resentment of the disordered, disoriented, dislocated, DISJOINTED being-not so much Oswald as against the fragmented, illogical destroyers of man's best hopes...
Sometimes a caulobacter attaches the end of its stalk to the body wall of a bacterium of another species and feeds by sucking out the victim's protoplasm...
Billy dutifully agrees. What they are doing is planning a kidnaping, though his wife prefers to call it "borrowing a child." The idea originated with Arthur, the medium's dead infant son and favorite contact on the Other Side. Once the victim and the ransom money are theirs, the medium can go to the child's parents to divine where both can be found. She will thus be assured of the fame her phenomenal powers deserve, and no harm done...
...demented psychic, Myra, Kim Stanley manages so many subtle shifts of mood that she seems simultaneously sweet, bitchy, poignant, and a deadly menace. The kidnap scene is a cinematic whirlwind, with the camera cutting and lashing across the landscape to build to a moment of crisis when the victim (Judith Donner) locks herself in the back of a limousine while Billy (Richard...