Word: victimness
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...woman unaffiliated with Harvard was followed down Garden Street and indecently assaulted by a suspect still at large last Monday morning, a police community advisory released yesterday stated. The female victim, whose identity was not released, was reportedly walking away from the Harvard Square T stop at Mass Ave. and Church Street at 6:30 a.m. when an unidentified male began to follow her. Harvard University Police Department (HUPD) was informed by Cambridge Police Department (CPD) yesterday that the woman was indecently assaulted at Garden Street and Appian Way, according to the HUPD community advisory, which was sent to students...
...game. From a league-wide standpoint, this is an absolute travesty. This contest will likely be this year’s Ivy title game, and there’s no reason to give a network rights to one contest a week if high-caliber showdowns like this fall victim to the ridiculous notion of equality of coverage.As for the actual game, Brown has been absolutely on fire lately, and so has Penn. Both teams would have come into this game 6-0 if it weren’t for monumental collapses in week two. This one will be an absolute...
Chabrol also learned from Clouzot, whose bleak, brilliant melodramas--Le Corbeau, Diabolique, Quai des Orfvres--allow for few heroes. Most of the characters are a blend of victim and villain. The Wages of Fear is a tale of four desperate men trucking a ton of nitroglycerin across bumpy South American roads. It's a brutal ride, relentlessly tense and informed by Clouzot's stop-watch timing and a tone that effortlessly juggles machismo and misanthropy...
...lead to the dilution of the original film’s unique charm. Fans of “Saw”—last year’s Halloween hit—can breathe a sigh of relief: “Saw II” does not fall victim to the curse of the horror movie sequel. This is another round of disturbingly gruesome imagery surpassed in horror only by the cast’s absurdly bad acting. In the movie that left adults cringing and young males drooling, “Saw” introduced the world...
Tony Fingleton is a paradox. A boy with an unimaginably painful childhood who grew into a man overwhelmingly boyish in his optimism and energy. A victim of enormous pressures as a youth who channeled his angst into a remarkable, inspirational film. A recruited athlete who found his calling among the ranks of the cross-dressing comic actors of the Pudding. Tony Fingleton is living, breathing, grinning proof that it can happen here...