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...plays Rossignol, there are many parallels between the events in revolutionary France and the madhouse. “There is this feeling of ‘What have I done to deserve this? Why me?’” she says. In both situations, the victims??the poor and the mad, respectively—feel unfairly punished. With this injustice comes desperation, and it is desperation, Gummerson says, that can bring people to the terrifying violence that marked the revolution...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

...spokesman David J. Cameron said that contracted toxicologists found sodium azide, a chemical used in air bags and laboratory preservatives, in samples of the victims?? coffee and in the water tank of a coffee machine in the New Research Building in Boston...

Author: By Naveen N. Srivatsa, CRIMSON STAFF WRITER | Title: Poisoning Sends Six to Hospital | 10/26/2009 | See Source »

...Industry, Polman said she’s earned the ire of some of these organizations. It makes sense why: She advocates completely cutting off funding to NGOs that distribute humanitarian aid, as the aid they distribute too often falls into the hands of the perpetrators—not the victims??of violence...

Author: By Ahmed N. Mabruk, CRIMSON STAFF WRITER | Title: T.I.A. | 8/4/2009 | See Source »

It’s losses like these that drive proponents of the recording industry to paint Nesson as a head-in-the-clouds academic, advocating for a pet cause while showing little respect for the victims??artists and workers alike—of the economic havoc it might create. “Mr. Tenenbaum’s counsel may be using this case to further a crusade to gut the copyright laws that protect creators,” RIAA spokesperson Cara Duckworth wrote to me in a recent e-mail. “[But] for a music community...

Author: By Christian B. Flow, CRIMSON STAFF WRITER | Title: Building the Public Domain, Part I | 5/9/2009 | See Source »

...through a conversation with a man who had lost his family as a result of the purge. Lemelson said he hopes that the film is eventually viewed by President Obama, who moved to Indonesia the year that Suharto became President. Lemelson believes a public acknowledgement by Obama of the victims?? suffering would serve to validate their experiences. For now, “40 Years of Silence” gives voice to both survivors and victims in an attempt to legitimize a painful history and ensure that the memory of it, once hidden, is not lost...

Author: By Anita B. Hofschneider, CRIMSON STAFF WRITER | Title: Breaking from the 'Silence' | 2/20/2009 | See Source »

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