Word: victor
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Dates: during 1930-1939
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...VICTOR G. RUBENSTEIN, M.D. Los Angeles, Calif...
...choice of Vivien Leigh was not altogether a surprise to Vivien Leigh. British Director Victor Saville, now in Hollywood, read one of the first copies of Gone With the Wind to reach England. As soon as he had finished it, he rushed to the telephone and mischievously called Vivien Leigh. Said he: "Vivien, I've just read a great story for the movies about the bitchiest of all bitches, and you're just the person to play the part...
...Fifth Avenue mansion shaded by a big eucalyptus tree. They run through eight songs in a brief bicycle ride among the mountains of Central Park. Since Paramount owns the rights to individual songs only, producers had to create phony scenes to give the effect of Herbert operettas. Victor Herbert devotees may be surprised, too, to hear words sung to such instrumental pieces as Al Fresco, Punchinello, Yesterthoughts...
...story, in which Victor Herbert plays fifth fiddle, concerns the unhappy marriage of a conceited tenor (Allan Jones) and his soprano protegee Louise (Mary Martin). Through years of professional jealousy, both are sustained and supported by singing Victor Herbert's music. Louise's voice gives out, her singing daughter (14-year-old Susanna Foster) takes over very creditably, despite a tendency to tail off in a musine squeak on the top notes (B flat above high...
...Great Victor Herbert is distinguished for providing Allan Jones the first film part worthy of his silken tenor. It also brings to the screen for the first time Mary Martin, glamorous Texas strip teaser, whose song, My Heart Belongs to Daddy, was the hit of the 1938 Broadway musical season. A little skinny on the stage, Miss Martin's figure is enhanced by the tendency of the camera to fill out curves...