Word: victor
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Dates: during 1980-1989
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...year is 1918, the place a small university town in a Germany whose people are slowly and unhappily awakening to the fact that they are losing the Great War. The protagonist is Victor Jakob, a professor of physics who, like his country, comes to realize that he too is being defeated. Younger, more imaginative men have challenged Jakob's beloved structure of classical physics, undermining the foundations of his intellectual world. Advancing age has confronted him with a more direct challenge, making him doubt his own usefulness and weakening his will to live. Seated in his study and spreading...
Jakob is a character invented by Russell McCormmach, 48, a professor of the history of science at Johns Hopkins University. "After years of work on rather standard books of history for the specialist," says McCormmach, "I decided to try a kind of spin-off from scholarly material. Enter Victor." But if the physicist is made of whole cloth, the other personae of this remarkable exercise in fiction and historiography are not, and they rise from the pages as Jakob remembers them and their contributions to physics. There is the fascinating Scotsman James Clerk Maxwell, who forged the theory of electromagnetism...
...DIED. Victor Jory, 79, veteran character actor whose craggy looks and commanding voice kept him always in demand, often as a villain, in more than a thousand plays, movies, TV dramas and radio shows; of a heart attack; in Santa Monica, Calif...
...industry and instinct have made him a millionaire. But as time drags on, and Primo realizes that meeting the ransom demand will mean closing his factory, he begins to believe that everyone around him - his son's girlfriend (the darkly sensual Laura Morante), a radical worker-priest (Victor Cavallo), maybe even Primo's patrician wife (Anouk Aimee) - is involved in the abduction. Conspiracy or paranoia? Primo says: "I prefer not to know." And the film takes no sides, instead allowing both protagonist and moviegoer to entertain each terrible possibility...
...that Little Me is not still funny, but one tends to laugh at it more than with it. In the original, Belle's many lovers and husbands were all played by Sid Caesar in a performance of virtuosic hilarity. Here they are divided between James Coco and Victor Garber. Garber is the rich little rich boy who first stirs Belle's precocious nubility. Coco, a clown in the grand lineage of Bert Lahr, is wonderfully funny throughout, especially as a Teutonic film director with a disconcerting resemblance to Benito Mussolini...