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Then there are the differences between the two men, which in part reflect the times in which they came to maturity. The year John was born, Chester Arthur was President, Disraeli had just died, and Picasso had just been born. In many ways John was a Victorian, and the church in which he rose to be Cardinal-Patriarch of Venice had not changed much since the 16th century. John was perfectly well adjusted to this old-fashioned church, but there were aspects to it he found stifling and frustrating...

Author: /time Magazine | Title: Essay: John Paul II, Kitchen Pope, Warrior Pope | 12/26/1994 | See Source »

Down Cambridge Street, past the kids in Starter jackets smoking in front of Roxbury Latin, past blocks of dilapidated Victorian houses, lies Inman Square...

Author: By Victoria E.M. Cain, | Title: Inman: Diverse, Friendly | 12/14/1994 | See Source »

...what parts! Walton attached rows of Victorian houses to both ends of the Paramount stage (already double the width of the standard Broadway stage) so that it seems to embrace the audience. And everywhere there is wonder to behold: Jacob Marley's huge skull glowering on the facade of Scrooge's house, sets that open and fold like mammoth pop-up Christmas cards, a spider web of gold chains on which Scrooge is crucified by remorseful ghosts, a tombstone that forces him into the rising fires of hell...

Author: /time Magazine | Title: I Like New York in Yule | 12/12/1994 | See Source »

...Geography of Yearning), three game but proper ladies set out in 1888 to explore Terra Incognita, and end up eating Cool Whip in Nicky's nightclub in 1955. On the way, they find themselves in many a humorous situation--most of which turn on the juxtaposition of a Victorian lady with almost anything especially - and dispense marry an anachronistic bonmot...

Author: By Erica L. Werner, | Title: On the Verge of Bursting the Corset Stays | 10/27/1994 | See Source »

...vehicle, and its engine is empire." Fanny: "Stuff!"--we're primed for a critique of capitalism, or for a semiotical analysis of post-war America. Yet the play's treatment of kitsch goes no farther than to make the point that '50s consumer products would look pretty weird to Victorian dames. For example, during their voyage through time the intrepid adventurers keep coming across egg-beaters. "Totem!" "Talisman!" "Taboo!" they conjecture, and develop the practice of spinning the beaters at one another. They seem to be voiding the egg-beaters of signifying power and revealing them as empty signs, which...

Author: By Erica L. Werner, | Title: On the Verge of Bursting the Corset Stays | 10/27/1994 | See Source »

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