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Word: victorianism (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

There is only one trade open to a man called Posket, especially if his first name is Aeneas. He is destined to assume a lead role in a Victorian farce...

Author: By John R. W. smail, | Title: THE PLAYGOER | 11/3/1950 | See Source »

...Moving Finger. Victorian ladies sneaked the poems upstairs and hid them under their pillows. Lovers read them aloud, and young men quoted sadly that "The Moving Finger Writes; and, having writ, Moves on . . ." Far into the 20th Century, the contagion persisted, and Journalist-Historian Mark Sullivan, in Our Times, felt himself obliged to record that Omar's bibulous philosophy had had the "effect of sapping and undermining" U.S. morals...

Author: /time Magazine | Title: Books: The Persian or the Scholar? | 10/30/1950 | See Source »

...follows one woman, Tabitha Baskett, whose life and strange love weaves through the Victorian Era, the Kaiser War, the depression, and still another war. Her life is a story of changing manners and morals. It starts as a life of revolt, against the humid prudery of a rural town, against the respectability of Victorian London; it ends in resistance to the new fangled ideas of younger revolutionists...

Author: By Paul W. Mandel, | Title: Saga of Tabitha Baskett | 10/20/1950 | See Source »

Tabitha is raised the plain daughter of a plain doctor in a plain town. With an ingratiating knack for saying the right thing or nothing at all, she quickly rises to become the mistress of a wealthy Londoner, and the social chairwoman of a group of anti-Victorian artists. When her man dies, Tabitha gracefully marries an manufacturer, and finds herself running a near-Victorian household. From there she moves on to inn-keeping, and finally to dependence on her grandchildren...

Author: By Paul W. Mandel, | Title: Saga of Tabitha Baskett | 10/20/1950 | See Source »

Gilbert and Sullivan found the location of a funny-bone which was not an exclusive feature of the English Victorian physique. Their works have three levels: the actual setting, be it the Cornish coast or the imperial court of Japan; the institutions of Victorian England which are being lampooned; and some indefinable sense of humor which the English-speaking world has maintained for at least 75 years. For those who are not lacking in this last ingredient, an evening at the Opera House is definitely in order...

Author: By David L. Ratner, | Title: THE PLAYGOER | 10/18/1950 | See Source »

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