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Word: victorians (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Alba Madonna, the Sistine Madonna. The world agreed with Lübke, 19th-Century German art historian, that the Sistine Madonna "is, and will continue to be, the apex of all religious art." Queen Victoria thought Raphael "delightful" and refined. His Sistine Madonna became almost as familiar a Victorian figure as that of the reigning monarch...

Author: /time Magazine | Title: Art: Raphael Reconsidered | 6/1/1942 | See Source »

...notes enter in. For example, it is hard to believe that the miner could have written the section of prose poetry which first brought him to the notice of his teacher. At other times there is a strange mixture of comedy that smacks of Sir James Barrie and his Victorian women...

Author: By S. A. K., | Title: PLAYGOER | 5/7/1942 | See Source »

Wisconsin-born Architect Wright went to Chicago as an apprentice draftsman in 1887, just when the first modern skyscrapers in the world were abuilding in that brawny city. While the rest of the U.S. was content with old-fashioned imitation Greek pillars and Victorian knickknacks, Chicago Architects William Le Baron Jenney, Louis Sullivan and John Root had thought out a new, austere type of building that was to dominate U.S. big-city architecture for half a century...

Author: /time Magazine | Title: Art: Usonian Evolution | 5/4/1942 | See Source »

...broadcasting took the theater as their heritage, as a matter of course. At first, being poor, they stuck to classics on which no royalties had to be paid. In 1928 pioneering NBC broadcast The Tempest-the first Shakespeare on the air. In that year it also produced classic Victorian melodramas like East Lynne...

Author: /time Magazine | Title: Radio: Great Plays | 4/13/1942 | See Source »

...slavish devotion of the movies to authentic local color and the realism of modern acting have naturally whetted general impatience with the fact that the Met's scenery continues to be predominantly mid-Victorian and its acting in the good old Italian tradition, pure ham with a whiff of garlic. These are real objections that nobody would try to deny, but they have nowhere near the importance for opera that they would for spoken drama. Opera's source, and its principal excuse for existence, is the wonderful physical satisfaction of hearing a well-trained human voice, an appeal not basically...

Author: By Robert W. Flint, | Title: THE MUSIC BOX | 3/23/1942 | See Source »

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