Word: victors
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...rocket attacks. The silence of her Egyptian hosts is now being seen by Palestinians as indirect collusion with Israel, damaging Cairo's ability to play mediator. Furthermore, in the contest for primacy between Hamas and the Palestinian Authority, Hamas - as the "victim" of this episode - emerges as the victor in the eyes of Arabs and Palestinians. Already, elements of Abbas' Fatah Party, the bulwark of the Palestinian Authority, are campaigning against the security cooperation with Israel and talking about boycotting meetings with the Jewish state...
...Victor Fleming: An American Movie Master By Michael Sragow Pantheon; 645 pages...
...genre - men like Hitchcock, Welles, Hawks and Ford. But what of the filmmaker who didn't try to stick out so much as fit in; the man-for-hire who could saddle up to any studio assignment - even a work in progress - and mold it to perfection? In Victor Fleming: An American Movie Master, Baltimore Sun film critic Michael Sragow argues that Fleming - who directed The Wizard of Oz and Gone With the Wind - was such a man, denied his rightful place in the cinematic pantheon...
...October 2, 1931, Fleming received the most important document of his professional life. MGM delivered a letter of agreement for him to direct 'one photoplay' within a seventeen-week period for a salary of $40,000. For most of the 1930s, similar notes would fly back and forth between Victor's lawyers and the studio, because he resisted any long-term contract. Fleming would soon become the MGM director. In 1971, for an oral history project at Columbia University, the producer Pandro S. Berman, who joined MGM in 1940, was asked whether the reputations of MGM's big directors should...
...Lowdown: Not only persuasive in its argument that Victor Fleming was one of the unsung titans of his era, An American Movie Master also makes for a fascinating case study in how power was acquired, wielded and lost during the 1930s and '40s. Fleming knew the score as few did, working his way up the ladder to take control of some of the most ambitious, unwieldy and risky epics in movie history. For readers with a limited knowledge of the movie industry, its transition from silents to talkies, and the rise of the big studio picture, Sragow's thorough scene...