Word: videtã
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Videt had a good eye. Holding, now a senior, has distinguished herself tremendously over her past four years as an undergraduate. Since her first lead role as Lucie Cabrol in Videt??s “The Three Lives of Lucie Cabrol” on the Loeb Mainstage, she has appeared on the Mainstage twice more as Electra in “The Flies” and Woman 1 in “Metamorphoses.” In addition, she played Beatrice in “A View from the Bridge,” Viola...
...Videt ’08-’09 entered Harvard with intentions of becoming a physicist. Now with a substantial list of acting and directing credits to her name, not to mention the first student show on the Loeb Mainstage in 15 years, it might seem as though Videt??the 2009 recipient of the Luis Sudler Prize in the Arts—has traded her passion for physics for a new one. But this is hardly the case. While she admits “I was just never cut out to make it as a physicist...
...Space Between,’ a new play at the Loeb Mainstage, conceived and directed by Catherine “Calla” Videt ’08. This incredibly ambitious production is the first student-written play to appear on the Mainstage in 15 years. While Videt??s subject might be theoretical physics, what she’s really interested in are moments where the science is inadequate to explain its own implications; equations may have built the bomb, but they can’t handle the fallout...
...haven’t been. In the second act, Feynman follows his departed Eurydice to the underworld, where the loudspeaker that greets him turns out to be very funny: “Welcome to Hell! Where the local time is . . . irrelevant.” Tied to nothing but Videt??s own imagination, Feynman’s performance of the Orpheus myth doesn’t work so well—it’s the one time the word “pretentious” skidded across my brain...
...energy and direction of the play and taken the opportunity to experiment with and explore the possibilities being on the American Repertory Theater’s Mainstage provides. As such, the production has taken on a collaborative dimension, with the experienced production staff adding their own creative vision to Videt??s text. The result is in an organic, malleable, multifaceted whole that represents the artistic visions of a group, not one individual. “Most plays start from the text and build from that. They extrapolate from something that’s really defined...
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