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...American Romance (MGM) is a $3,000,000,151-minute, Technicolor "epic" of the U.S'. steel industry. Producer-Director King Vidor, one of Hollywood's abler craftsmen (The Big Parade, H.M. Pulham, Esq.) and most earnest innovators (Hallelujah, Our Daily Bread), took fire 18 years ago with the idea of filming a U.S. history in terms of steel. He eventually ignited Louis B. Mayer, too. But the resulting conflagration is a one-alarm blaze, at best...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 16, 1944 | 10/16/1944 | See Source »

...engineer, David MacDonald started out in rubber planting in Malay. In 1929, when depression wrung that business dry, an earlier interest in stage and films took him to Hollywood. There a break plus his abilities got him jobs under Directors Cecil De Mille, King Vidor, Henry Hathaway and Raoul Walsh, with whom he went to London...

Author: /time Magazine | Title: The New Pictures, Apr. 12, 1943 | 4/12/1943 | See Source »

...London, as a full director, MacDonald made the documentary Men of the Lightship, turned out a dozen or so successful and forgettable potboilers, filmed the blitz fires of London from the dome of St. Paul's. His shyness once drew from King Vidor an indirect compliment: "That guy would have been a top Hollywood director but he just didn't know how to blow his own horn." Said MacDonald last fortnight, to a preview group of film and pressmen: "These combat scenes can be done in Hollywood and you can do them very nicely, without loss of life...

Author: /time Magazine | Title: The New Pictures, Apr. 12, 1943 | 4/12/1943 | See Source »

Divorced. Cinedirector Charles Vidor, 42; by Mabel Linton Vidor (Cinemactress Karen Morley), 33; after eleven years of marriage; in Hollywood...

Author: /time Magazine | Title: Milestones, Mar. 15, 1943 | 3/15/1943 | See Source »

...Pulham, Esq. (Metro-Goldwyn-Mayer) is an amazingly good cineversion of John Phillips Marquand's best-selling novel of a New Englander going dutifully to seed. Mr. Marquand has told his story three times (the others: The Late George Apley, Wickford Point); Director King Vidor had only one shot at his. His ending is box office, his story not sharply pointed, but he does manage to convey the airless but comfortable feeling of Boston, the pitifully habit-bound horizon of his Pulham (Robert Young), and to turn out a half-dozen sequences that are superb cinema...

Author: /time Magazine | Title: The New Pictures, Jan. 5, 1942 | 1/5/1942 | See Source »

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