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Honeymoon Hate is essentially The Taming of the Shrew relieved of its light-hearted ribaldry and trimmed instead with lavish gondolic romance. Florence Vidor is charming enough, as she storms gently at her insistently regal husband, to impart some flavor to the insipid story...

Author: /time Magazine | Title: Cinema: The New Pictures Dec. 26, 1927 | 12/26/1927 | See Source »

...Florence Vidor...

Author: /time Magazine | Title: Business: Wages of Cinema | 7/4/1927 | See Source »

Metropolitan -- Florence. Vidor in "Afraid to Love"--Who wouldn't be, with Florence...

Author: NO WRITER ATTRIBUTED | Title: BOARDS AND BILLBOARDS | 5/4/1927 | See Source »

Director King Vidor at times achieves heights: the love scene in a boat gliding under a veil of weeping willow leaves; the tantalizing suspense as the King's eccentric moods alternately delay and hasten his procession to the scene of execution; the camera angles at which the "Stunts" are filmed. Bardelys deserves its popularity, though it falls short of the best of its kind...

Author: /time Magazine | Title: New Pictures: Nov. 22, 1926 | 11/22/1926 | See Source »

...Never Know Women (Florence Vidor and Lowell Sherman). Ernest Vajda, suave Hungarian creator of stage comedy, has been retained to write a motion picture. He has again indicated that the one talent does not necessarily embrace the other. You Never Know Women is pale and thin. It tells of a Russian vaudeville troupe in the U. S.; how the man-about-town interfered with the lovely acrobat's love for the magician. Miss Vidor, Mr. Sherman and an originally resourceful director called William Wellman have saved much from the wreck...

Author: /time Magazine | Title: New Pictures: Aug. 9, 1926 | 8/9/1926 | See Source »

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