Word: vieni
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...Saturday's performance, however, she was the only cast member to lack adequate volume, and was usually drowned out in the ensembles. She was shown to best advantage in the recitatives and in her fourth-act aria, 'Deh vieni non tardar,' which allowed her voice's sheer loveliness to dominate the stage...
...standouts, notably Hagley and Marie-Ange Todorovitch, as Cherubino). Poor Renee Fleming, as the Countess, was stuck with the staging's only coarse moments. Somehow director Stephen Medcalf thought to dramatize the lady's unhappiness by portraying her in a kind of sexual heat. While Susanna is singing "Dei vieni non tardar," Mozart's heavenly, healing, last-act aria, the Countess is writhing around a tree trunk...
Cabiria (Lopert) is the best of the Italian contributions, remarkable chiefly in the story it tells. "Vieni qua," says the famed Italian actor (Amedeo Nazzari). The shabby little streetwalker (Giulietta Masina) can hardly believe her ears, but she jumps into his flashy American car, and they drive to his villa, a California! creation on the Appian Way. "Where do you live?" he asks her idly, as she nibbles at caviar and lobster in his overpoweringly seductive apartment. "Oh," she answers him, dazed with all the magnificence and trying desperately to live up to it, "I'm not like...
...program for this evening's concert is as follows: I. Crucifixus Bach We Praise Thee Schvedov Tenebrae Factae Sunt Palestrina The Harvard Glee Club II. Invocazione di Orfeo Jacopo Peri Cavatina: "Vieni che poi sereno," from "Semiramide" Gluck The Mermaid's Song Haydn Mit deinen blauen Augen Strauss Elfenlied Wolf Bei dir sind meine Gedanken Brahms O liebliche Wangen Brahms Mme. Homer III. Fire, Fire, My Heart Morley Rhapsody Brahms (Contralto solo by Mme. Homer) Russian Folk Songs. Song of the Lifeboat Men Fireflies At Father's Door Drake's Drum Coleridge Taylor The Harvard Glee Club...
...season last night Dvorak pieces predominated and made the program unusually interesting. Of the three numbers by this composer, Overture to "Othello," Suite in D major, and "The New World Symphony," the second was conspicuous. It has unexcelled rhythmic movement. The program contained also Mozart's aria, "Deh' Vieni," from "Marriage of Figaro," Massenet's "Air de Griseldis," and Morzkowski's "Pres du Berceau," with Mrs. Methot as soloist. Mrs. Methot's voice, though technically finished and well-rounded is without warmth and her interpretation is colorless...
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