Word: vierecks
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Shortly after his 50th birthday, Einstein also gave a remarkable interview in which he was more revealing than he had ever been about his religious sensibility. It was with George Sylvester Viereck, who had been born in Germany, moved to America as a child and then spent his life writing gaudily erotic poetry, interviewing great men and expressing his complex love for his fatherland. Einstein assumed Viereck was Jewish. In fact, Viereck proudly traced his lineage to the family of the Kaiser, and he would later become a Nazi sympathizer who was jailed in America during World...
...Viereck began by asking Einstein whether he considered himself a German or a Jew. "It's possible to be both," replied Einstein. "Nationalism is an infantile disease, the measles of mankind...
...recognized, not explicitly and self-consciously rejected. Good American liberals who would not dream of using sexist language or racist slurs or anti-Semitic jokes have no problem at all about using anti-Catholic language, ethnic slurs or Polish jokes." There is still some truth in Writer Peter Viereck's remark in 1959: "Anti-Catholicism is the anti-Semitism of the intellectual...
...nonconformist," his own definition of martyr, often risks his life for a variety of motives, some noble, some not. There are cases, he notes, in which martyrdom may be little else than "an expression of primary narcissism" or "a need for punishment." Like Camus's Rebel, or Peter Viereck's "unadjusted man," the martyr is one who ultimately refuses to act according to the accepted norms of his society. He is psychological kin, in short, to both the gadfly and the criminal...
...characterized the epoch between the Wars, to Bly's annoyed proclamation in 1953 that MOST OF THE POETRY PUBLISHED NOW-A-DAYS IS OLD FASHIONED. The Advocate vacillated between innovation and a nervous caution. A reaction in the fifties against the poetic domination of Eliot was expressed by Peter Viereck in a parody of Prufrock: "Today the women come and go Talking of T.S. Eliot." Jonathan Culler, in his introduction to the Centennial Anthology, described a magazine that had "stayed Georgian ten years too late during the poetic ferment of the twenties"; the poets who found themselves at Harvard after...