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France and Germany, and make any kind of alliance with Germany impossible. Said the economic weekly La Vie Française last week: "[Juin] has expressed himself with measure and firmness. The Americans pursuing quite opposite ends have come to use the same language as Moscow and to reach the same conclusions: France must hand over. But France knows what she has accomplished in North Africa and does not ignore what remains to be done .. . France is an old enough nation, rich enough in experience, to determine herself the means to employ and the best moment to choose...

Author: /time Magazine | Title: UNITED NATIONS: The Bogey of Colonialism | 10/20/1952 | See Source »

...cause for celebration. In the dozen years she has been singing professionally, Europe and Brazil have also savored her fados, but it was not until this season that Amalia was introduced to the U.S. She began what is likely to be a long run at the Manhattan nightclub La Vie en Rose...

Author: /time Magazine | Title: Music: Fado in Manhattan | 9/29/1952 | See Source »

...Bennington system succeeds to the point where it instills its pupils with a healthy regard for intellect. This is manifested in the classrooms, where students vie to ask piercing questions. Although Burkhardt claims that "girls aren't afraid of being dumb," the competition in some classes assumes disproportionate dimensions and tends to make the duller students remain silent. The classes, which meet one to three times weekly, and entail many papers, run about 13 members and may include an occasional male one of the drama students...

Author: By Erik Amfitheatrof and David C. D. rogers, S | Title: Bennington --- Every Girl for Herself | 5/16/1952 | See Source »

...fact last year, when Dorothy sang in Sunset Boulevard nightclubs; then London got a look and quickly agreed. But "everyone" told her she still had to prove she could be a success in New York. Last week Singer Dandridge proved it emphatically. The management of Manhattan's La Vie en Rose could not supply tables enough for the customers who crowded...

Author: /time Magazine | Title: Music: Eye & Ear Specialist | 2/4/1952 | See Source »

...series as the Café's owner. As she has countless times since the classic Blue Angel, Marlene played the same romantic, Weltschmerz role and whispered snatches of French and German songs. Some listeners may have felt cheated because Marlene was limited to a few choruses of La Vie en Rose and four bars of a song in German. "It's a hell of a job to do a dramatic show in half an hour," she explains with a shrug. "There isn't time for singing because you have to worry about character and plot...

Author: /time Magazine | Title: Radio: Still Champion | 1/21/1952 | See Source »

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