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...genially subversive Franco-Belgian Ma Vie en Rose, the town where Ludo and his family live is cheerily color-coordinated (each garage door is painted a different pastel), but the emotions that the boy's cross-dressing provokes are darker. Everyone goes instantly agog. Wives scold; husbands threaten. Schoolboys turn into bullies, ready to take the natural law into their own hands. The film, directed by Alain Berliner from an original script by Chris vander Stappen, has the scheme of a socially fretful TV movie. Yet at heart, Ma Vie en Rose is a delightful comedy, both in its buoyant...

Author: /time Magazine | Title: Cinema: Short Takes: Ma Vie En Rose | 1/12/1998 | See Source »

This is no tract; all the characters have reasons for their outbursts. But the film is most sympathetic to Ludo's desperate, deadpan certitude that he'd enjoy being a girl. Like last year's magnificent Ponette, Ma Vie en Rose is an inside report--neither cloying nor condescending--from the enchanted, irradiated island of childhood...

Author: /time Magazine | Title: Cinema: Short Takes: Ma Vie En Rose | 1/12/1998 | See Source »

...number of representatives. Currently, there are more spaces available for seats on the council than there are candidates to run for those seats. At best, a house's political field will be contested so that only one or two candidates do not get the positions for which they vie. By cutting the number of available positions, the council can hope for competitive district elections in upcoming races...

Author: NO WRITER ATTRIBUTED | Title: Reform Bills Bolster Council's Credibility | 12/4/1997 | See Source »

Sullivan will vie for the district attorney's post, which currently is occupied by District Attorney Thomas F. Reilly. Reilly is leaving to run for state attorney general, as state Attorney General L. Scott Harshbarger '64 leaves that office to run for governor...

Author: By Michael E. Thakur, CONTRIBUTING WRITER | Title: Galluccio, Sullivan Plan Campaigns for Local Offices | 11/26/1997 | See Source »

...rises to this level of social commentary. In one scene, Roulleau defends himself by arguing that since Hamlet is fictional and scripted, he shares no responsibility in its events. Clamence responds by instructing the actors to portray some scenes from everyday life: two acquaintances exchange conventional pleasantries; two people vie to see who will hold the door for the other; a student pleads for an extension with her professor. As the audience listens to these stylized dialogues, we realize that Hamlet is no more scripted than the rehearsed set-pieces of our own private and public lives. Groundlings succeeds brilliantly...

Author: By Joshua Derman, CRIMSON STAFF WRITER | Title: No Exit: Insightful Student-Written Play Shows Audience Complicity | 10/24/1997 | See Source »

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