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Beads of sweat glisten, pectoral muscles ripple, veins bulge in steamy close- up. They call him "a pure fighting machine," this glum-faced superhero with the Charles Atlas body. He has been sent on a daring mission to Viet Nam, a land that just a few years ago the nation was trying to forget. Improbably -- or maybe all too probably -- he has become America's newest pop hero. His name: Rambo...

Author: /time Magazine | Title: An Outbreak of Rambomania | 6/24/1985 | See Source »

Rambo is, of course, Sylvester Stallone's latest cinematic creation, a brooding Viet Nam veteran who unleashes destruction in the summer's first blockbuster hit, Rambo: First Blood Part II. In this sequel to Stallone's 1982 film First Blood, a crack veteran of the Green Beret Special Forces is sent back to Viet Nam to search for U.S. prisoners of war, only to be abandoned in the jungle and forced to guerrilla-fight his way out. In its first 23 days of release, Rambo, which cost $27 million to produce, has grossed a phenomenal $75.8 million...

Author: /time Magazine | Title: An Outbreak of Rambomania | 6/24/1985 | See Source »

...heavyweight champion of the world. Now Stallone's pectorals and deltoids are in service again as Rambo. The name sounds like a good ole boy's rendering of Rimbaud. Rambo is a veteran who single-handed accomplishes what the U.S. Army and Marines never could do. He defeats Viet Nam. Those bullies had better not kick sand in the American face again! The movie is a great...

Author: /time Magazine | Title: Essay: The Body Beautiful: Pumping Ironies | 6/17/1985 | See Source »

That year, four months after the Tet Offensive shocked the nation into realizing what formidable foes the Viet Cong and North Vietnamese Army were, Harvard and Radcliffe students at their separate graduation exercises protested U.S. involvement...

Author: By Charles C. Matthews, | Title: It All Began in '68 | 6/6/1985 | See Source »

...recent American sculpture -- blue-collar minimalism, a pugnacious combination of muteness with extreme manipulations of space. Nobody could call his work accessible, but there is no denying his influence on other artists. To take only one example, the black granite notch of Maya Ying Lin's monument to the Viet Nam dead in Washington, D.C., the most intensely moving war memorial in America, is basically a spin-off from Serra's land sculptures...

Author: /time Magazine | Title: Art: The Trials Of Tilted Arc | 6/3/1985 | See Source »

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