Word: view
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Dates: during 1930-1939
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Meanwhile the Museum moved from its five rooms to five floors of a greystone mansion on 53rd Street, in view of the back windows of the Rockefeller home. Membership ($10 a year) shot up by leaps & bounds. The board of trustees became a galaxy of the enlightened rich. Greatest of many gifts were the Bliss collection of modern French paintings, a bequest for which the Museum raised an endowment of more than $600,000 in 1934, and Mrs. Rockefeller's collection in 1935. The Museum acquired an energetic executive director, Thomas Dabney Mabry Jr., an able assistant curator...
Cynics might view the Museum's work as an esthete's dream-fostered by dilettantes and benefactors of great wealth-with only superficial relation to the broad life of the U. S. But Alfred Barr comes nearer home when he says, "The Museum of Modern Art is a laboratory; in its experiments the public is invited to participate." And the cynical view will not stand up very well in the presence of the Museum's new president...
...team hopes that Yale will come up as planned, but in view of their reluctance to play on a previous scheduled date, a suitable substitute has been provided in Vermont, and a game will be played...
Chief function of the Pops concerts is to provide music for the fun of it, and last evening's Harvard night was an outstanding success from that point of view. The program was for the most part clever, rhythmical music entirely pleasant to listen to. The Borodin "Polevetskian Dances," the Cimarossa and the Gilbert and Sullivan choruses were especially effective. There was a strikingly small amount of froth on the program, in fact, the finale from Piston's "Suite for Orchestra," a vigorous movement, full of strongly dissonant counterpoint, was a little meaty, perhaps, for such a casual audience. This...
Often in the history of music, men of considerable artistic stature are lost to view in the shadow of a contemporary titan who dominates his period to the exclusion of all lesser figures. With Bach and Handel towering over them the lesser composers of the early 18th Century have been almost entirely obscured. Vivaldi, Corelli, Teleman, Rosenmuller and Rameau are only a few of the composers of this period whom the average concert-goer classifies--if at all--as "like Bach, but not as good...