Word: view
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Dates: during 1930-1939
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...mistaken. The "rebel" forces had been cleared out of the centre of Madrid, but they were still said to be holding important outskirts with 30,000 men. Furthermore, aid to them was on its way from other fronts. The chances were that the Loyalist forces, within plain view of their common enemies, would fight each other until the Franco Army, last week more a spectator than a fighting force, stepped in and cleaned them...
...outside world had been curious about Stalin's view of the German push to the East. Would he threaten Hitler? Would he talk about Russia's armed strength? To everyone's surprise his remarks were addressed not against Germany but against the democracies, whom he charged with "urging the Germans on to march farther East, promising them easy pickings and prompting them: 'You start a war against the Bolsheviks and then everything will proceed nicely.' " Their ulterior motive, he said, was to get Germany and Russia into war, let them knock each other groggy...
...Master of Ceremonies Don Ameche, darkling Sarongstress Dorothy Lamour and Baritone Donald Dickson for a picture. As they were sighting the group, a pressagent brought another man over, a middling, fair, baldish chap with delicate, expressive lips. For one photographer up front, this man crowded the picture, blocked the view of the lissome Lamour. "Hey," he growled, "get that lug out of there...
...reason for my so doing is my reluctance to support a point of view which seemed many times to be unfair, and the resultant dissatisfaction of the World-Telegram with my convictions...
Crisis concerns last summer's developments in Czechoslovakia. Photographed by Alexander Hackenschmied, assembled by Herbert Kline, with an accompanying commentary written by Vincent Sheean and recited by Actor Leif Erikson, it examines from a frankly anti-Nazi point of view what happened between Hitler's invasion of Austria and the Munich conference. It sets out to show that the Czechs in their difficult predicament did much better than they were done by. Prime difficulties of recording history on film are that: 1) history neglects to follow a shooting schedule, and 2) that the most significant happenings are often...