Word: view
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Dates: during 1950-1959
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...temporary absence from Moscow (TIME, March 9). Learning of the world's displeasure at his remarks. Khrushchev had jauntily waved them aside as "only an electioneering speech."* In the final days of Macmillan's visit, the Russians turned mellow again. "You know our point of view, we know yours," said Khrushchev to Macmillan as they parted...
...imported new theological thought from Europe. Tillich's thought is now moving the other way. His books are rapidly being translated into German (he is too busy to do the job himself) as well as French, Spanish, Italian and Japanese. Fellow theologians are increasingly coming to view his work as a monumental and unique effort to match the insights of Christianity with the predicament of modern...
Tillich rejects his critics' "supranaturalistic" view that "takes the Christian message to be a sum of revealed truths which have fallen into the human situation like strange bodies from a strange world." Man, he holds, "cannot receive answers to questions he has never asked." Tillich also considers his system superior to the "humanistic" systems of liberal theology, which derive the Christian message from man's natural self-development and the unfolding of human history. He also attacks the combination of natural and supranatural theology found in Roman Catholicism, with its "socalled arguments for 'the existence...
What can Protestantism do in the present crisis of modern man who "no longer possesses a world view in the sense of a body of assured convictions about God, the world, and himself"? Protestantism, says Dr. Tillich, cannot offer such a world view: "it must fight from above this level to bring everything under judgment and promise." This cannot be done, he says, simply by asserting theological truth, or by going back to the Reformation's theme of justification by faith alone. It can only be done by, in effect, driving man to the painful extremity of accepting...
...sadistic, fanatical embodiment of science. Finally, he is betrayed by his sluttish mistress Marie (Soprano Eleanor Steber), and he stabs her. Wozzeck himself drowns trying to recover the discarded knife. In a poignant last scene, their child (Alice Plotkin) trots off, unaware and innocent, on his hobbyhorse to view his mother's body...