Word: view
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Dates: during 1970-1979
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Much of this issue was absurd and distasteful, especially from a woman's point of view. Faludi and Devall's articles, about playwright Arthur Miller and feminist Garry Trudeau respectively, relegated to the back of the Arts Supplement, did something to antidote the miasmal matter of the first half. Their writing and those about whom they chose to write reassured me that indeed, unlike most of this week's Crimson Arts Supplement, some art does serve the end of social liberation. Sincerely, Mary Holland...
Paul ruled out any means-before, during or after the conjugal sex act-that would render procreation impossible. The widening use of artifical methods, he added, would encourage lower standards of sexual morality. John Paul II has held a slightly different view of the reasons against contraception. Only the openness to possible parenthood, he has written, puts a sexual relationship on a "genuinely personal level." To exclude the possibility of children, he argued, limits the relationship to the pursuit of sensual pleasure. John Paul unequivocally endorsed Humanae Vitae during his U.S. trip. Opinion polls in recent years have repeatedly shown...
...church's opposition to abortion began with a doctrinal manual, the Didache (circa 100 A.D.), which called all abortion "murder." That view has never much altered through the centuries: the Second Vatican Council reiterated that abortion is "an unspeakable crime." Abortion did not become much of an issue among Catholics, or members of other religions, until the 20th century, when some governments began to legalize it. Modern Popes have opposed abortion for any reason "from the moment of conception," and John Paul links it to such assorted violations of human rights as mercy killing...
...number of U.S. dioceses and parishes do quietly permit remarried Catholics to receive Communion, but official policy remains against it. Regarding the related matter of annulments, John Paul is reported to take a dim view of those now granted in the U.S. on markedly liberal grounds...
...thing is certain about Rainer Werner Fassbinder, the most prolific of West Germany's New Wave film makers, his movies could not be mistaken for those of any other contemporary director. Who but Fassbinder would shoot a scene from the point of view of a character's ankles, or punctuate a film with shots of telephones? What is more, Fassbinder's idiosyncrasies are more skillfully performed with each film. The opening of The Marriage of Maria Braun is a particular gem: as our eyes take in an Adolf Hitler wall poster, the image explodes to reveal...