Word: viewerã
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...appears to get an erection under the sheets. She uncovers him only to find him clothed and wielding a pistol, after which he interrogates her at gunpoint. The examination, however, pains him as much as it scares her. Why? He loves her, duh! But all the while, the viewer??at least this viewer, anyway—can’t help but notice that he’s fondling her left breast with his pistol. This scene epitomizes the film—serious moral questions float at the periphery, but at the core, there’s little...
...most talked-about power couple, Beyoncé uses “Upgrade U” to remind her audience that she’s still an independent woman capable of creating her own chart-topping singles. While not a ground-breaking cinematic event, the video grabs the viewer??s attention and showcases Beyoncé’s talents. Coming on the heels of “Irreplaceable,” the last single off of “B’Day,” this video returns to the bootylicious dancing and gyrating that made Beyonc?...
...have to wait to know what’s your thing. THC: Photography and score are integral parts of the whole that makes “The Fountain”. The different time-periods come together through the warm colors and sounds omnipresent on the screen and in the viewer??s ears. Were you very involved in that?DA: Yes, but all that comes with a lot of people talking about the movie’s message for a long time. It is all about collaboration, and working with great people. THC: Your film is firm saying that...
...Love (feat. T.I.)” perpetuates his newfound suaveness, albeit in classic black-and-white fashion; as cameras roll, Timberlake—in a trendy blazer or vest-and-tie outfit—shows off his slick moves. The caliber of the cinematography immediately catches the viewer??s eye, as flashing bars of light signal the video’s opening and the noir-ish palette contrast is cleverly manipulated by rapid switches between black and white backgrounds in the dance scenes. Yet it becomes a little trippy—and borderline tacky—when objects...
...testament to Frears’ skills as a director that the narrative can be quiet at times, without losing the viewer??s interest. Frears’ most direct preparations for this film are his “Dirty Pretty Things” and “Dangerous Liaisons...