Word: viewerã
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Dates: during 2001-2001
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This version is actually a remake of William Castle’s more satisfying 1960 film of the same title. The older film had an interesting gimmick: Theater patrons were given “ghost viewer?? goggles that enabled them to see (or not see) the spirits. Sadly, the remake reserves such highly useful goggles for the on-screen characters, thus forcing the audience to see every last bit of this forgettable film...
Each piece in this intriguing collection holds the viewer??s attention and is worthy of prolonged observation. Even if the meaning of the piece is not entirely understood, the beauty, detail and color are enough to hold any audience. Hilliard does a wonderful job of depicting human struggle...
...country pavilions remained the German pavilion, a house reconstructed by Gregor Schneider that caused either great claustrophobia or great praise, and the Canadian pavilion (George Bures Miller and Janet Cardiff), which took science fiction film making to the next level by using all five senses to play with the viewer??s sense of perception. The Polish pavilion (Leon Tarasewicz) won the cheap thrill award, by creating an easy optical illusion with their floor. (Ridges cut into the floor and painted orange on one side and blue on the other caused the floor to miraculously change colors depending...
...chaotic yet spectacular nature of this tale. The light sparkling on the sea, the smoke rising above the cities, the Pharoah’s army retreating on the left, as well as the triumphant Israelites to the right all combine in a drawing that ensnarls and captivates the viewer??s imagination...
...videotape of themselves. He was concerned more broadly that “the technique of reproduction detaches the reproduced object from the domain of tradition.” The image, reproduced ad nauseum, need no longer be encountered in context; it can meet the viewer, appropriately sanitized, on the viewer??s own terms...