Word: viewer
(lookup in dictionary)
(lookup stats)
Dates: during 2010-2019
Sort By: most recent first
(reverse)
...through their different approaches, both works deal with the intersection of art and labor—“Working” by using art as a means for glorifying the worker and welcoming the viewer into the workers’ sphere, Lehyt’s sculpture by exploiting the ambiguity innate in abstract art as a means for proclaiming that labor is impossible to understand from the outside. And both “Working” and the sculpture throw into sharp relief the inability of art to embody labor, particularly on a campus where so few individuals...
...While it may be true that a camera never lies, it certainly can be misleading. The video is harrowing, and a viewer armed with nothing more than 20/20 hindsight can feel the knot in his stomach tighten as death draws near on Baghdad's outskirts. But viewed in isolation, lacking any insight into what else was going on in that neighborhood on that particular day, what may have seemed at the time to be a justified military action looks wanton and possibly against the rules of war. (See pictures of Iraq's revival...
...It’s been my official ideology for a long time that there are no wrong interpretations. As artists, we put a lot in store in our own intentions. We intend our works to mean some things, and that’s what we want the viewer to get and understand. What an artwork means broadly in society as a particular kind of cultural object is first of all overwhelmingly defined by the fact that the artwork exists and is recognized as being a work...
...Another viewer raised the issue of historical accuracy, questioning the film’s use of a priest as a protagonist and its depiction of a rabbi urging Jews to take up arms against the Nazis. Frodon reminded the audience of the film’s political aspirations: designed to unite a fractured America behind a call to justice, “None Shall Escape” had an understandable interest in providing Americans with immediately identifiable protagonists...
...Telephone” video, like Hipsterdom’s underlying ideology, is self-conscious to the point of stylizing that awareness. The video is a celebration of celebrity qua celebrity, as well as an amalgamation of different cultural allusions, the familiarity of which render the viewer comfortable. ‘Telephone’ is pop music with the sizeable development of its use of brands like Miracle Whip, Virgin Mobile and Diet Coke in the video medium. The pieces of corporate sponsorship are not snuck-in and normalized, but focal points. Similarly, the self-awareness of multi-lingual subtitles...