Word: viewer
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...needs to get down to the less glamorous business of serious reform. DIGITAL VIDEO A BBC Show That's Hard to Ignore Since zenith invented remote control in the 1950s, life has often seemed like one big struggle over the TV. Digital video recorders (DVRS) are the ultimate in viewer control, allowing users to skip commercials, pause live programs and watch shows at their own pace, rather than on a broadcaster's schedule. So British subscribers to the TiVo DVR service took it as a personal insult when the BBC comedy Dossa and Joe was automatically recorded on their machines...
Public art is best defined by its situation in a public place and accessibility to those who might not otherwise seek it out. An ostensible goal of such art is to foster interaction with the viewer in a way that art hung on the wall of a museum cannot; such art engages only in isolation. Public art transforms public space into a venue for intellectual and artistic consideration, and as such aligns quite strongly with the aim of a liberal arts education...
This is appropriate, as Judevine is a show about theme, not story—people, not heroes. Not surprisingly, then, there are no clear conclusions or happily-ever-afters. It’s up to the viewer to construct his own emotional ending. “If it has a feel-good ending, you have to earn it,” said Budbill...
...That's Washington. Seeing her, the white viewer thinks: Join us! Elevate the race - ours. The movie screen is only skin-deep, and surely glamour counts more than an ancestor's color. Peola thinks that; she glides on the edges of white society and wonders why, if Bea could ascend to it via money, a light-skinned young woman couldn't do it with prettiness. She has a wonderful mother who is exactly the wrong mother for her, so far apart are their respective ideas of what is possible and proper. Peola runs away from home, finds a job - cashier...
Guzzetti describes Meiselas’s initial opposition to appearing in the film, saying that he and Dick argued that they had to get the viewer from one picture to another, and that the only real common thread between all of these pictures was the photographer who took them. Meiselas says that she was ambivalent about her presence in the film, believing that “history was so important,” she wasn’t needed. But her appearance in the film is what really sets it apart, especially the way in which Rogers is able...