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Word: viewer (lookup in dictionary) (lookup stats)
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...paint that take the form of a penguin and a personified rectangle. The image as a whole is tragically unimaginative and isn't at all visually fleshed out. Again, the commitment seems to be more to art theory than to art itself-the piece, if it speaks to its viewer at all, will surely do so in intellectual, and not aesthetic terms...

Author: By D. ROBERT Okada and Z. SAMUEL Podolsky, CRIMSON STAFF WRITERSS | Title: Conceptual Art for Dummies | 10/12/2001 | See Source »

...lesbian audience member who wouldn’t reveal her last name, traveled from Alewife with her partner to view the film. “Everyone was talking about it this morning at breakfast. My girlfriends told me I had to see it!” Another lesbian viewer, Dianne Monice, admits that the subject of the film had ”a lot to do with” her decision to attend. “I thought it was a good story” she adds. As for the sex scenes, Monice thought they were tastefully done...

Author: By W. L. Adams, CRIMSON STAFF WRITER | Title: Girls on Film | 10/11/2001 | See Source »

...states, that “all adults are stupid.” The film succeeds because it allows them to think that and does not force them to choose between equally inadequate ideologies. It refuses to turn its characters into clichés and refuses to indoctrinate the viewer with its “message...

Author: By Zoila Hinson, CRIMSON STAFF WRITER | Title: So Happy Together | 10/5/2001 | See Source »

...Sept. 12) quietly became the class of the reality-TV field, turning groups of tinkerers loose on a scrap heap to build cannons, gliders, rockets and the like out of detritus, then pit their improvised creations against each other. With humor and an adorable host (Cathy Rogers, the thinking viewer's Julie Chen)--and without the robo-macho aggressiveness of Comedy Central's BattleBots--Junkyard shows that, sometimes, making smart, escapist TV is rocket science...

Author: /time Magazine | Title: Junkyard Wars | 9/17/2001 | See Source »

...work of Keith Tyson, a British artist who set himself the task of “understanding the unintelligible.” Tyson set a metal column in the center of the room, with a small sign explaining that computers rested inside the column. The exclusion of the viewer from the source of understanding—the computers —was supplemented by a series of 52 poster-sized drawings, representing a deck of tarot cards, suggesting the infinite combinations of understanding that are possible with a shuffled deck. Tyson’s engagement with the concept of understanding...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Burning Up: Art Sizzles at the Biennale | 9/14/2001 | See Source »

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