Word: viewer
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...lenses, spaced about the same distance apart as human eyes, which allow for the taking of simultaneous photos of the same scene from different angles. This is where the 3-D magic originates. When two slightly different images are presented discretely to the right and left eyes of a viewer, that person's brain combines them into a single image, resulting in a stereoscopic illusion of depth. (See the Gadgets of the year...
...budget, Jones has created a plausible environment - sterile on the inside, grungy on the lunar surface - that would drive anybody nuts. He guides the film at a tempo that is both measured and assured; here, it's clear, is a director who knows how to get the viewer on his pensive wavelength. Mass-audience action fans may plead for more stuff to happen, but they should attend to the tensions within the silences, in a place where no one can hear Sam scream...
...crevasse they need to run across as the dinosaur is chasing them. Even when it came to Chaka, I took the facial proportions of the original kid who played the character and imagined what would happen if this kid, who just freaked me out as a viewer, became an adult. So in this movie, Chaka's this really sketchy character who always bails whenever they're in trouble, and Marshall is always eyeing him up because he doesn't trust him. (TIME reviews Will Ferrell in Talladega Nights...
...month later, She (Gainsbourg) is still hospitalized with grief, while He (Dafoe) tries all his trade's tricks to ease her back to mental health. Returning home doesn't help; She is haunted by the child's room, his playthings, his absence. Already, though, an attentive viewer wonders if the parents set the wrong tone for their son, since, on a table by the playpen, they've placed three metal statuettes labeled Pain, Grief and Despair. These figures will recur, in the forms of a deer, a fox and a crow, as the woman's grip on sanity loosens...
...Davies' adaptation of John Kennedy Toole's The Neon Bible, the central character says, "If you were different from anybody else in town, you had to get out." In one sense, Davies escaped his youth; in another, he keeps returning. And his imaginative understanding of it hits the viewer, even one who's never visited or cared about Liverpool, with the shock of recognition. Among the many snatches of poetry and pop songs in the film are these lines from T.S. Eliot's Little Gidding: "We shall not cease from exploration, and the end of all our exploring will...