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...Muslim and Islamic Religion and Cultures at Harvard University. “It is about becoming less egocentric and more God-centric.” Walking through the exhibit, this act of personal devotion is plain to see. In one photograph, a meditating man shakes his head passionately. The viewer can tell from his eyes that the man is experiencing mystical elation. Post-9/11, the Muslim world has, by and large, been portrayed in the media in conjunction with politics, international relations, and violence. Images like those described above are rarely seen. “It is so easy...

Author: By Olivia S. Pei, CONTRIBUTING WRITER | Title: 'Sufism' Focuses on Spirit, Rejects Stereotype | 2/20/2009 | See Source »

...which the individual belongs. Because the relationship between the subject and the setting of the photo is exceedingly apparent—for example, a doctor placed against a background of pill containers—there is hardly any room for imagination or analysis on the part of the viewer. While it may have been Vanderwarker’s intent to create a scrapbook of his “heroes,” the lack of creativity and innovation in his execution makes these tributes seem more like enlarged Facebook profile pictures...

Author: By Minji Kim, CONTRIBUTING WRITER | Title: 'Vanderwarker' Flat and Uninspiring | 2/20/2009 | See Source »

...music video by a girl half their size. As the song kicks into higher gear, the blows on the duo continue and Wallach, in particular, can’t seem to get enough. Looking hopelessly pathetic, Wallach smiles through the punches, helplessly devoted to his vicious attacker. The viewer can’t help but be reminded throughout the video of the turbulent and short-lived romance between the long-haired Drummey and his boo, Peaches Geldof. While the song was written before the rise and fall of their relationship, which was all of about half a year, the video...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: POPSCREEN: Chester French | 2/12/2009 | See Source »

...mores of Yoruba culture to the prejudices of Western society. The intent behind the photography of “Rotimi Fani-Kayode (1955-1989)” is clearly honest, open, and noble. However, whether Fani-Kayode’s search for his identity is actually accessible to the viewer is more ambiguous.In fact, the uncompromising honesty of this collection of photographs and its brazen contempt for conventions is precisely what makes it a difficult exhibit to relate to. In many of the photographs of the exhibition, there appears one reoccurring form: the exposed male body. To the viewer unaccustomed...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: Sprituality, Sexuality in Rotmi Fani-Kayode Exhibit | 2/12/2009 | See Source »

...easily recognizable actors. There is also a noticeable lack of interference on the part of Kechiche; the movie does not have a dramatic soundtrack, for instance, that would attempt to evoke specific reactions and emotions in the audience. These subtle directorial choices might fail to lure the average viewer, but those who open their hearts to the life of a man working at a fishing boat dock will likely find themselves steadily absorbed in his relationships and all their complications. The story revolves around Slimane (Habib Boufares), a tired 61-year-old shipyard worker who is laid off from...

Author: By Anita B. Hofschneider, CRIMSON STAFF WRITER | Title: The Secret of Grain | 2/12/2009 | See Source »

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