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...Osama bin Laden needn't have buttonholed his Saudi relatives for al-Qaeda cash; he could have gone to Skarssen. As the banker tells an African insurgent, "The real value of a conflict, the true value, is the debt it creates." Hearing the outlines of this conspiracy, today's viewer feels almost nostalgic, since it's a nightmare scenario from the first years of the U.S. occupation of Iraq. Who knew, back in the recent, relatively soothing past, that the bankers could deliver a more lethal blow to the world economy without a shot being fired - just by bundling toxic...

Author: /time Magazine | Title: The International: The Banker As Bad Guy | 2/12/2009 | See Source »

...sure is that it's the first big Hollywood-style project from the director of Run Lola Run, the cunning micro-melodrama in which the same events are played in three variations and the entertained viewer is in and out in 76 minutes. If Tykwer's use of pixelated photos, split screens and cartooning in Lola gets you thinking that The International will offer a fizzily anarchic reimagination of the thriller genre, fuhggedaboutit. Running or stumbling a full two hours, this is a medium-IQ sample of spy dystopia - dour, sit-throughable and generically entertaining...

Author: /time Magazine | Title: The International: The Banker As Bad Guy | 2/12/2009 | See Source »

This makes me a much more impatient viewer. If a video doesn't grab me immediately, I kill it. But when a show does engage me, the connection is deeper. The wide-screen image is a foot or two from my face, filling my field of vision. The connection is tactile and intimate. (Coincidentally, I'm told the Internet is also a popular medium for porn.) As you lean in, focusing physically and mentally on, say, an episode of The Wire, watching becomes something more like reading...

Author: /time Magazine | Title: A TV Critic in the Post-TV World | 2/12/2009 | See Source »

...absence of titles, the eyes encourage spectators to bring their own experiences to the painting while trying to discover what the character is experiencing and feeling at that moment. The ability to bring individual experiences to the work and create a unique vision of the piece allows the viewer to take on an authorial role in the construction of the characters represented. “I want people to be able to bring their own experience to a piece without me guiding them,” Elswick says. “I like the initial response from what somebody?...

Author: By Melanie E. Long, CRIMSON STAFF WRITER | Title: African, Irish Influence in 'Seven' | 2/12/2009 | See Source »

...Coraline (pronounced core-align), which Selick adapted from a kids' book by graphic novelist Neil Gaiman, begins with a needle thrust in the viewer's eye. Mostly, though, 3D is used to heighten the picture's antirealistic, otherworldly mood. The illusion of depth is boldly stylized; the scene of a front yard or a kitchen will be a series of flat surfaces, like the planes in a pop-up picture book. This is the animated film as art film. Coraline doesn't try to ingratiate; it just looms, like a cemetery gate, daring curious souls to tiptoe in and fend...

Author: /time Magazine | Title: The Chilly World of Coraline | 2/6/2009 | See Source »

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