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...warm-up highlights more than two dozen athletes who are at the top of their sport, a television viewer's guide to key events, and an offbeat look at Seoul by Contributor Pico Iyer, whose recent book, Video Night in Kathmandu, examines the inroads of Western popular culture throughout Asia. Perhaps the most arresting feature of the special section is photographic. Picture Researcher Dorothy Affa Ames began assigning photographers to cover pre- Olympic meets in April, and since then has edited 5,000 pictures provided by a dozen photojournalists and a score of photo agencies. A former professional photographer, Affa...

Author: /time Magazine | Title: A Letter From the Publisher: Sep. 19, 1988 | 9/19/1988 | See Source »

...occupying oppression. Their clothes are dirt-dry and sweat-drenched. Their faces, most of them, boast Semitic heritage; their voices hold the raspy, urgent cadences of Brooklyn, Appalachia and other frontier outposts of working-class America. (Only Satan and the Romans speak with British accents.) By jolting the viewer to reconsider Hollywood's calcified stereotypes of the New Testament, Scorsese wants to restore the immediacy of that time, the stern wonder of that land, the thrilling threat of meeting the Messiah on the mean streets of Jerusalem...

Author: /time Magazine | Title: Religion: A Critic's Contrarian View | 8/15/1988 | See Source »

...finding long-run solutions to the networks' financial bind. Forced to experiment with potentially less expensive ways of filling prime time, the networks may discover methods that will last far longer than the strike. Today's stopgap measures may become tomorrow's programming trends. Whether that benefits the viewer remains to be seen...

Author: /time Magazine | Title: Video: The Sad Plight of Fall Schedules | 8/15/1988 | See Source »

...same amount of airtime as four years ago (coverage both years began at 9 EDT on most nights), indicating that the excess personnel had been mostly fat. "Production shortcuts have made our lives a little more difficult," acknowledged NBC Executive Producer Joe Angotti, "but in terms of what the viewer sees at home, the cuts make no difference whatsoever...

Author: /time Magazine | Title: Video: Do Conventions Turn Off the Public? | 8/1/1988 | See Source »

Molly's "coming of age" is at least as important to the film as its didactic purpose (it was filmed in Zambia, where the ANC has its headquarters), and it certainly fleshes out the sometimes monotonous prison scenes. Not that the viewer ever feels the film is an adaptation of Solzhenitsyn's A Day in the Life of Ivan Denisovitch; it's never dull. But it does sparkle more when it's scrutinizing the Roth family than when it's ridiculing the Afrikaner police inspector...

Author: By Ross G. Forman, | Title: Growing Up in South Africa | 7/29/1988 | See Source »

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