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Until videotape was perfected in the '60s, everything that the viewer saw at home was happening before his eyes. Mistakes were common. One writer remembers watch ing with horror as two actors who were supposed to be dead received an early cue and rose before the camera moved away. Nothing so clumsy happens in this series, but a close observer will hear Paul Newman fluff a line in Bang the Drum and see that after Andy Griffith spills a drink on his shirt in No Time for Sergeants, he does not change it for inspection the next morning...

Author: /time Magazine | Title: Video: A Shock of Pleasure from the '50s | 8/24/1981 | See Source »

Images that reveal secrets in the viewer's heart...

Author: /time Magazine | Title: Behavior: See & Tell: Color Phototherapy | 8/17/1981 | See Source »

...this movie's strengths is that it passes no judgment on the relative merits of Leuci's code and the more impersonal workings of the criminal code. Nor does it speculate on motives. It merely presents the behavior of people under pressure and causes the viewer to wonder whether anyone would have done better in similar circumstances...

Author: /time Magazine | Title: Cinema: Vise Squad | 8/17/1981 | See Source »

...ceremony in a design as elegant as that on a Japanese screen. An Indian family flees from an approaching prairie fire whose stylized billows Charles Burchfield might have envied, across a field of endless prairie grass that Andrew Wyeth might have emulated. A Blackfoot chief stares at the viewer with the arrogance of long command-and the despair of one who knows his nation is doomed...

Author: /time Magazine | Title: Art: Chronicler of a Dying Race | 8/17/1981 | See Source »

...Remington; his technique could not compass the majestic grandeur that Bierstadt gave to the Rockies. Many of his figures were cursorily laid in, and many of his landscapes were studded with stylized hills that suggest haste rather than observation. But his candid style has an impact on the modern viewer that Remington's hyped-up romanticism no longer does. His so-called ineptness of drawing has been re-evaluated in the wake of the incisive simplicities of a Douanier Rousseau or even a John Kane. He relied on a plain clarity of eye in an age in which this...

Author: /time Magazine | Title: Art: Chronicler of a Dying Race | 8/17/1981 | See Source »

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