Word: viewer
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...distance between the director and the screen persona is exactly the same as the distance it flatteringly allows the viewer to place between his real and everyday persons. It licenses us to believe that our everyday behavior doesn't truly reflect our character, which is altogether deeper, more astute, suffering and sensitive. The procedure is increasingly cosy and conspiratorial-we go to a Woody Allen film knowing exactly what to expect, and sure enough there it is, a flabby shapeless dish, occasionally spicy, but altogether sagging and apologetic...
Roaring in anticipation of the coming Terrier goal, the viewer-capacity crowd slumped back in their seats again and again as Lau rose to the occasion. Stopping two-on-one's, three-on-two's and once even a three-on-one, Lau recorded 11 saves in the first period and 29 overall...
...story, which an attentive viewer can decipher by watching any single episode, centers on the repeated attempts by Norman (Ralph Zito), the title character, to convince his sister-in-law Annie (Nora Seton) to go away with him, for the weekend. Annie invites her brother Reg (David Prun) and his wife Sarah (Louisa Jerauld) to the house to care for their mother while she is gone...
...society's mighty engines of banality can reduce anything to a bore, and death, the fad that replaced tennis, has lately been talked to death. A viewer may approach Promises in the Dark with some wariness, therefore, because the subject of the film is a 17-year-old girl's death after a long battle with cancer. But Promises is clear, direct and honest, and free of both cant and sentimentality. It is also lively, in the exact sense of the word; the flow of intelligence and feeling between Buffy, the sick girl, and her family and friends...
Some of the publicity material set out to puff this wretchedly inept creaking-door flick compares it to the work of Hitchcock. After the show is over, the viewer may wonder, "Which Hitchcock was that?" Instead of building toward a climax, Stranger strings together three awkward, vaguely related segments. The first concerns a baby sitter (Carol Kane) who is terrorized by phone calls from a homicidal maniac (Tony Beckley). The second, set seven years later, has the maniac loose again, menacing a woman (Colleen Dewhurst) in a bar. The third has him on the trail of the baby sitter...