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...that, if he asks nicely, maybe radical Islamists won't want to kill us. He's a Rodney King figure pleading for people to just get along. And even if Spurlock's one-man Peace Corps campaign doesn't work, he'll have fun trying. More fun than the viewer, sometimes. While embedded with U.S. troops in Afghanistan, he gets to fire a rocket launcher. His reaction, and you could have guessed this: "That was awesome!" He also has advice for the locals. To attract tourists, Spurlock suggests, they should build a theme park. "You could say, 'Come to Tora...

Author: /time Magazine | Title: Dude, Where... Is Osama bin Laden? | 4/17/2008 | See Source »

...colors do more than add vibrancy; they help Goya tell his story. Released from decades of yellowed varnish, a tiny white spot in The Second of May draws the gaze to a horse's muzzle, and from there, up to the animal's penetrating eyes, which stare at the viewer in terrified accusation, as if to say, "Look at what you've done." Bloodspecked bodies crumpled at the bottom of each painting now form a single visual line and provide a graphic reminder that the French massacre of "innocent" militiamen occurred only after the Spanish had slaughtered their share...

Author: /time Magazine | Title: Goya: Terrible Beauty | 4/16/2008 | See Source »

...Where do Jews come from?” asks a character in the first act of “A Little Night Yiddish.” The play, written by Laura M. Togut ’08, may not answer this question, but it certainly gives the viewer a visual treat in its presentation of Yiddish theater and song. Despite a hard-to-follow plotline and technical difficulties related to the projection of English subtitles, the show was amusing and the cast was enthusiastic. Unfamiliarity with the Yiddish language or Jewish traditions didn’t prevent anyone from having...

Author: NO WRITER ATTRIBUTED | Title: One-Liners Translate in ‘Yiddish,’ But Plot Line Does Not | 4/14/2008 | See Source »

...more chameleon art is, the more future it has because we change,” Koons says. In order for his art to survive, it has to be able to appeal to a large and evolving audience. Following this logic, if 10 years from now viewers deem over-sized balloon dogs or inflatable flowers passé, then Koons’ work will be essentially discarded. To protect his work from becoming dated, he tries to make every piece as objective as possible. He claims, somewhat counterintuitively, that he achieves this by first accepting himself, then accepting others...

Author: By Ama R. Francis, CONTRIBUTING WRITER | Title: LINEAR PERSPECTIVE | 4/11/2008 | See Source »

...characters who are often ugly, spiteful, and selfish. In a film that focuses almost entirely on complex human relationships, the frigid settings represent the brutal and unforgiving manner in which the characters interact. The gripping storyline and nuanced performances in “Snow Angels” force viewers not only to invest their time but also their psychology and emotions in a story about the destructive power of love and loss. Green, noted for works that explore the subtle intricacies of everyday life, doesn’t stray very far from the familiar in “Snow Angels...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Snow Angels | 4/11/2008 | See Source »

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