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...themes of Altman's movies are at variance with American movies' traditional approach to the American experience, they're reinforced by his structure and technique. Unlike most American films, which proceed in straight narrative fashion, Altman's films evolve out of chaos. Instead of leading the viewer down a single path to an inevitable conclusion, Altman presents him with brief glimpses and seemingly unrelated vignettes--the connections become apparent only gradually as the film progresses. The outcomes of Altman's films aren't obviously preordained; they apparently develop out of the vicissitudes of real life...

Author: By Andrew T. Karron, | Title: Altman: Hitting the Myth | 10/12/1978 | See Source »

...however, an actress. As any viewer of Charlie's Angels well knows, Fawcett-Majors gets into serious trouble every time she opens her mouth to speak. Giggling and shrieking fits aside, her voice is flat and expressionless; her face cannot convey any emotion other than blissful self-absorption. In Somebody Killed Her Husband, her debut as a movie star, Fawcett-Majors does not expand her range -only her wardrobe. This film proves that she can look just as swell fully dressed as she did in the scanty outfits of her hit ABC series...

Author: /time Magazine | Title: Cinema: An Angel in Distress | 10/9/1978 | See Source »

...Come Back, Africa is a documentary-drama about apartheid. Filmed secretly in South Africa, much of it in areas banned to whites, and then smuggled out of the country, it is a stunning indictment of the dehuminization imposed by apartheid. Although it is not quite two hours long, the viewer leaves the theater exhausted, moved, and angry...

Author: By Andrew Multer, | Title: The Same After 19 Years | 10/5/1978 | See Source »

...While Kojak and Columbo have retired to reruns, their places will be filled this fall by such heroes as Kaz, Eddie Capra, Jack Cole (Sword of Justice), Joe Casey (Waverly Wonders), Joe Kelley (Grandpa) and even Professor Charles Kingsfield Jr. (Paper Chase). It's enough to drive a viewer krazy...

Author: /time Magazine | Title: Television: The 1978-79 Season: I | 9/11/1978 | See Source »

...like the shadows," says Michael Henchard, the hero of this drama, and the viewer immediately knows where he is: in Thomas Hardy country, dark, gloomy and unrelievedly tragic. Haunted by one terrible incident in his past, Henchard proceeds to ruin his own life and the lives of nearly everyone he touches, until, like Shakespeare's Lear, the character he most resembles, he is left with nothing but his own relentless memories...

Author: /time Magazine | Title: Show Business: Malignant Eye | 9/4/1978 | See Source »

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