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...movie commences with several scenes of people befuddled by various mysterious and unexplainable events which the viewer can easily speculate have something to do with flying saucers. Several groups experience close encounters of the first and second kind (sighting a UFO and obtaining physical evidence of a UFO, for those unfamiliar with the jargon), but these people either do not believe what they saw, or are smiled at when they try to make others believe them. Director Steven Spielberg effectively makes the point early in the film that no one could possibly know whether a self-proclaimed UFO sighter...

Author: By J. WYATT Emmerich, | Title: A Close Encounter of an Overblown Kind | 1/6/1978 | See Source »

...difference-Rolling Stone was now flaunting its hip capitalist style with relish. Yet this exercise in electronic self-promotion by a member of the print media might have been excuseable if the two-hour birthday show had at least amounted to a competent rock history documentary. Instead, the hapless viewer witnessed grating excesses of Felliniesque imagery accompanied by watered-down renditions of Beatle standards. The program featured such rock minor leagues as Ted Neeley (that's right, the Ted Neeley), Patti Labelle and Jeff Holland-and to top it all off, Steve Martin wasn't even funny...

Author: By Joe Contreras, | Title: Moss Gathering | 12/15/1977 | See Source »

...casual viewer, the appeal of ABC's Tuesday night hits may seem elusive at first. In many ways the shows look like well produced rehashes of the hoariest old TV formats. Unlike the Norman Lear sitcoms on CBS, ABC's shows do not pretend to deal with topical issues, and their premises are brazenly retrograde. Happy Days copies Dobie Gillis; Three's Company recalls Petticoat Junction and Love That Bob. Laverne and Shirley's slapstick antics- usually built around wild schemes to earn money or meet men-are often indistinguishable from the adventures of Lucy...

Author: /time Magazine | Title: Television: Tuesday Night on the Tube | 12/12/1977 | See Source »

...merits of Tom Joslin's film Black Star, as film technique, I'm not qualified to discuss, but as a ticket-buyer and viewer I feel the Crimson review slighted a brave and entertaining movie...

Author: NO WRITER ATTRIBUTED | Title: Paying the Price | 12/7/1977 | See Source »

...viewer does not already sympathize with Joslin and his lover, he will after being handed some blatant one-liners by Joslin's parents. Father, for example, bemoaning his son's estate, says, "When you get mixed up with the arty people...ech...that's it." He himself admires the "tough-guy" image. Mother says she is disappointed he will not have a typical family life, so she doesn't give him the land in the country should would otherwise have given...

Author: By Talli S. Nauman, | Title: Various and Sundry Self-Indulgences | 12/2/1977 | See Source »

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