Word: viewer
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...Walters, 44; Stahl, 33; Brown, 35, now stationed in London, and Liz Trotta, 39, correspondent for New York's WNBC-TV. Then Westin resigned last fall in a row with News Chief Sheehan, and the search was suspended. But the network soon commissioned Frank Magid Associates to test viewer preferences; the firm found that 46% would like to see a woman deliver the news, 41% did not care and only 13% would prefer...
...Japances Art, at the Fogg through June 4. Gotze's aim in assembling the collection he said, was to find examples that would illuminate what is special and different about East Asian art. Indeed, this small but stellar exhibit questions some of the fundamental assumptions of the Western viewer. Condensed to haiku precision, works like "Fly Whisk" perceive a foreign value-system in a familiar reality. The real merges disconcertingly without effort into the imaginary in the writing of "Metaphor for Buddha", or in the shifting space of Kobe Ho Shinno's "Landscape". Through the whole exhibit radiates the peace...
...priced at about $40, the other possibly ranging up to $180, v. Polaroid's range on its SX-70-type models of from $66 to $179. Both cameras will, like the SX-70, eject a card that in a few minutes turns into a color photo before the viewer's eyes...
...PRESIDENT'S MEN is a fastpaced, absorbing film of great technical accuracy, fine performances and a generally ethical approach to journalism and politics. Watching it more or less out of any larger context, it is equally solid as entertainment, information and morality. The only questions left that a viewer can think about afterwards are what kind of film All The President's Men set out to be and how far such a treatment does justice to the events being portrayed...
...Guffaw. Both shows will probably roil anew the ulcers of network censors who still fight a Learguard action against TV fare that throws even a risible semblance of reality back at the viewer. That is what Lear's art is about, the guts of the guffaw. Nor will it change. As he puts it: "I consider myself a writer who loves to show real people in real conflict with all their fears, doubts, hopes and ambitions rubbing against their love for one another. I want my shows to be funny, outrageous and alive. So far, so good." And farther...