Word: viewer
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...Brave One's plot (confected by Roderick and Bruce Taylor and Cynthia Mort) cranks up the coincidences; and the viewer starts playing a game that's dangerous for any adult thriller: What Are the Odds? Told she must wait a month to buy a gun, Erica just happens to meet a guy who'll sell her a hot 9mm. pistol for $1,000 in cash, which she just happens to be carrying. (What are the odds?) Browsing in a convenience store, she Just Happens to witness an armed robbery; she kills the perp with the gun she JUST HAPPENS...
...settled quickly, the firm's top litigator, Arthur Edens (Tom Wilkinson), has gone nuts, cavorting naked in a parking lot. The most superficial familiarity with The Parallax View and other political-paranoia movies of the 70s - or with the crimes of EnRon and other big companies - will cue the viewer to expect corporate dirty tricks at the root of Arthur's frayed mental state. The two men will find ruthless adversaries both in the corporation's chief counsel (British actress Tilda Swinton, superbly on-pitch as always) and in their own firm's steely partner (Sydney Pollack, extending his streak...
...shows' viewer appeal is simple: they're family-friendly, good-natured and easy to play along with. Harder to explain is what draws the parade of contestants to screech, warble and croak in front of millions, without the aid of melon-ball shooters. Is it all for the money? Isn't it humiliating...
...film documents the communist government's internal spy network, the Stasi. One of its top operatives (Ulrich Mühe) is snooping on a famous playwright and his actress mistress in hopes of getting evidence of political betrayal. Gradually, the spy is drawn into their story--as is the viewer, for this is a gnarly tale of mixed motives, covert conspiracies and sexual deception on both sides. In a corrupt state, no one can be 100% pure...
...episodes (as well as the third X-Men and the Hannibal Lecter movie Red Dragon), isn't out to win an Oscar here; the movie is as lacking in visual elegance as it is in pretension. Its first reel or two sets a fairly low bar for the viewer, so that when it perks up it exceeds expectations. The division of labor is the same as in the first two films: Jackie kicks ass; Chris kicks sass. Ratner's challenge, and that of screenwriter Jeff Nathanson, is giving the stars enough comedy byplay to keep audiences awake between...