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...they're too young to have heard of. To the pretty, troubled Ferlito, Mike gruffly coos, "There are few things as fetching as a bruised ego on a beautiful angel." The movie's one moment of unforced charisma comes when Russell catches the camera watching him, and smiles. The viewer just naturally smiles back. Why would these women be inching away from Mike? Because he's a motorpsycho killer in an imperishable death...

Author: /time Magazine | Title: Grindhouse Is Girls, Guns, Cars — But No Sex | 4/6/2007 | See Source »

...twenty-something emissary of CHAD into the house of retired pest controller Rob, his senile mother Ethel, neurotic wife Pam, ideological daughter Lucy and obese, bondage-wearing son Rick. It's a brilliant premise and not entirely subscriber-friendly, with scenes and language that would bring a litany of viewer warnings on sbs. But there is also something bracingly therapeutic in Cowell's frequently funny spree. Audiences will also notice that CHAD is played by Toby Schmitz with an American accent, and encoded in the drama is a political critique of Australia's relationship with the U.S., but one that...

Author: /time Magazine | Title: Finding Self Esteem | 3/29/2007 | See Source »

...However, Lien says that the critique was productive. “I got a lot from his about how to think about titles, how they would relay the viewer to somewhere they wouldn’t necessarily immediately...

Author: By Jeremy S. Singer-vine, CRIMSON STAFF WRITER | Title: Little House on the Charles: Burgin Shacks Up at Carpenter | 3/15/2007 | See Source »

...BREAKING BARRIERS Like so much of Tutschku’s work, “TELL ME!…a secret…” incorporates the audience into the art. The three-paneled photographs are angled slightly to create a private space for the viewer. Microphones protrude from the center panel of the photographs and invite the viewer to speak to the images. When a person speaks into a microphone, the voice is then distorted and played back. “I am looking for interactions where the public is not just sitting. I want people to take...

Author: By Claire J. Saffitz, CRIMSON STAFF WRITER | Title: Telling Secrets, Making Art | 3/15/2007 | See Source »

...before, Loach presents an uninspired movie. The boring setup of “Barley” is the least of the film’s troubles. The story is long and full of many complicating factors that overtake the film. Subplots meant to humanize the narrative instead leave the viewer unfazed. Unlike popular war films such as “Saving Private Ryan,” the characters never become people an audience can relate to, and all that is left is a simple recounting of events. Nearly every film containing overt references to today’s foreign policy...

Author: By Christopher C. Baker, CRIMSON STAFF WRITER | Title: The Wind That Shakes the Barley | 3/15/2007 | See Source »

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