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...role model. The film traces the melancholy trajectory of this dysfunctional family’s interactions once they come into contact with Harlan, with the psychological motivations behind each of the characters becoming clearer as the plot wears on.The beautiful cinematography serves a dual purpose: sometimes it focuses the viewers?? attention on the mental and emotional states of the characters, while at other times it takes the film through tangential episodes that look really amazing but serve no purpose to the plot.The positive, useful version of cinematography cunningly reflects the extremes of each character’s psychology...
...Company’s (HBC) spring show, “Pointe/Counterpointe” is simply a clever, if slightly hackneyed, pun, HBC’s Facebook group promoting the show assures that such is not the case. According to a blurb on the website, the show will fulfill viewers?? hopes if they have “ever wanted to see what happens when ballet dancers took off those pointe shoes.” Indeed, “Pointe/Counterpointe” promises to be a mixture of classic, contemporary, and modern dance styles, providing a chance...
...ladies. Yaya DaCosta and Rob Brown (“Coach Carter”) as Lahrette and Rock both give standout performances as two students with intertwined past tragedies who fall in love through dance. Brandon Andrews plays Monster, a tall, overweight teen in need of confidence, stealing viewers?? hearts as he improves his dancing skills with his partner...
...broadcast has come under fire for being overlong and dull. Last year, the show’s producers trimmed its runtime by a half hour and tapped outspoken comedian Chris Rock to give the program some much needed “edge.” To the delight of viewers??and the horror of many stars—Rock used the hosting gig to skewer Hollywood egos and lampoon the self-importance of the entertainment industry. But his barbs may have been a little too incisive—he was not invited back...
...goriness: exit wounds, blood splatters, and charred flesh. This verisimilitude, combined with the knowledge that the depicted events are historical, make “Munich” an unsettling film to watch in its bloodier moments. Its battle sequences are expertly realized, but they are not presented for the viewers?? entertainment, as they would be in lesser films. Unfortunately, “Munich” also shares one of Cronenberg’s film’s weaknesses: it belabors the psychoanalytical connection between sex and violence. In one particularly egregious scene, Kauffman suffers from vivid flashbacks...